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Three Billboards Outside Ebbing, Missouri (2017)

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A mother personally challenges the local authorities to solve her daughter's murder when they fail to catch the culprit.

Director:

Martin McDonagh

Writer:

Martin McDonagh
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Popularity
129 ( 22)
Top Rated Movies #144 | Won 2 Oscars. Another 115 wins & 211 nominations. See more awards »

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Cast

Cast overview, first billed only:
Frances McDormand ... Mildred
Caleb Landry Jones ... Red Welby
Kerry Condon ... Pamela
Sam Rockwell ... Dixon
Alejandro Barrios ... Latino
Jason Ledford Jason Ledford ... Latino #2
Darrell Britt-Gibson ... Jerome
Woody Harrelson ... Willoughby
Abbie Cornish ... Anne
Riya May Atwood Riya May Atwood ... Polly
Selah Atwood Selah Atwood ... Jane
Lucas Hedges ... Robbie
Zeljko Ivanek ... Desk Sergeant
Amanda Warren ... Denise
Malaya Rivera Drew ... Gabriella
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Storyline

THREE BILLBOARDS OUTSIDE EBBING, MISSOURI is a darkly comic drama from Academy Award nominee Martin McDonagh (In Bruges). After months have passed without a culprit in her daughter's murder case, Mildred Hayes (Academy Award winner Frances McDormand) makes a bold move, painting three signs leading into her town with a controversial message directed at William Willoughby (Academy Award nominee Woody Harrelson), the town's revered chief of police. When his second-in-command Officer Dixon (Academy Award winner Sam Rockwell), an immature mother's boy with a penchant for violence, gets involved, the battle between Mildred and Ebbing's law enforcement is only exacerbated. Written by Fox Searchlight Pictures

Plot Summary | Plot Synopsis

Genres:

Comedy | Crime | Drama

Motion Picture Rating (MPAA)

Rated R for violence, language throughout, and some sexual references | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook | Official Site | See more »

Country:

UK | USA

Language:

English

Release Date:

1 December 2017 (USA) See more »

Also Known As:

Three Billboards See more »

Filming Locations:

Asheville, North Carolina, USA See more »

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Box Office

Budget:

$15,000,000 (estimated)

Opening Weekend USA:

$322,168, 12 November 2017, Limited Release

Gross USA:

$54,513,740, 3 May 2018

Cumulative Worldwide Gross:

$157,880,842, 29 April 2018
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

2.40:1
See full technical specs »
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Did You Know?

Trivia

Sandy Martin appeared in Martin McDonagh's previous film, Seven Psychopaths (2012), as the mother of a dead mobster. However, her scene was cut. It appears in the deleted scenes. See more »

Goofs

When the mail assistant hands Red the envelope of money she is heard talking but when the camera pans to her she is not moving her lips. See more »

Quotes

[first lines]
Mildred Hayes: [walking into his office] You Red Welby?
Red Welby: Yes, ma'am. How may I help you?
Mildred Hayes: I heard there's three billboards out on Drinkwater Road. You're in charge of renting them out, that right?
Red Welby: I didn't know we had any billboards out on Drinkwater. Where is Drinkwater Road?
Mildred Hayes: It's a road out past the Sizemore turn-off. Nobody uses it since the freeway got put in.
Red Welby: You are right. Got three billboards out there. Nobody's put nothing up out there since 1986. That was 'Huggies'.
Mildred Hayes: How much to rent out all...
[...]
See more »

Connections

Referenced in Golic and Wingo: Episode #1.74 (2018) See more »

Soundtracks

His Master's Voice
Written by Jim James (as James Edward Olliges Jr)
Performed by Monsters of Folk
Published by Music of Big Deal, administered by BMG Rights Management (UK) Ltd., a BMG Company
(p) 2009 Yamo-Obwa, LLC under exclusive license to Rough Trade Records Ltd.
Courtesy of Rough Trade Records Limited
By arrangement with Beggars Group Media Limited
See more »

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User Reviews

 
I dissent. Regretfully.
7 December 2017 | by t_k_matthewsSee all my reviews

I wanted this movie to be great. It wasn't. The performance by Frances McDormand is good but not great. She's very good at showing overwhelming anger, but that's all she's allowed. Her character never gets the chance to breathe. Blame the script, not her--she's a terrific actor, but this is a one-note performance.

2. There is a sub-theme about race. Race is an important issue and deserves to be treated honestly, but in this movie, it felt like a side-road that led nowhere. (It actually feels like moral preening on the part of the scriptwriter. It didn't add much to the movie's meaning.

3. Wonderful performances by Woody Harrelson and Sam Rockwell as a police chief and officer. Woody especially brought grace to a character who at first seemed unsympathetic. (BTW, McDormand's ex-husband has a young and beautiful girlfriend, and that relationship is treated as awkward and shameful. Harrelson's wife is young and beautiful, and that relationship is treated as idyllic.)

4. Police officers don't talk like that among themselves or to others.

5. I particularly didn't like the Chief's take on racist cops, saying essentially that all cops are racist. That may be accepted as dogma by some Hollywood screenwriters, but any chief who talks about his beloved employees--or cops in general--like that shouldn't be a cop. Coming from this character, the sentiment is cheap and clunky and inexplicable.

6. There are a couple of plot holes wide enough to drive a billboard through sideways. The most egregious (no spoiler here) is what happens (actually what should have happened but didn't) immediately following the window scene. (You'll know the scene when you see it.) The thing not happening was necessary keep the plot going. Everything that happened after that feels tainted as artificial and contrived. Likewise a later scene in a bar, involving a coincidence beyond coincidence.

7. It's impossible McDormand's character wouldn't have been arrested several times in the course of the movie, for several serious crimes. Once again, he plot depends on that not happening, and thus the plot again is contrived.

8. There's a letter delivered to Rockwell's character late in the movie which is full of Hallmark Card sentimental drivel. It can't be justified by either what we know of that character or what we know of the writer.

In a world (as the movie trailers used to say) where we are awash in numbskull comic book movies and incoherent special effects spectacles, it was a small miracle this film even came to my local cinema. Too bad I couldn't love it.


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