In May 1940, the fate of Western Europe hangs on British Prime Minister Winston Churchill, who must decide whether to negotiate with Adolf Hitler, or fight on knowing that it could mean a humiliating defeat for Britain and its empire.
Kristin Scott Thomas
THREE BILLBOARDS OUTSIDE EBBING, MISSOURI is a darkly comic drama from Academy Award nominee Martin McDonagh (In Bruges). After months have passed without a culprit in her daughter's murder case, Mildred Hayes (Academy Award winner Frances McDormand) makes a bold move, painting three signs leading into her town with a controversial message directed at William Willoughby (Academy Award nominee Woody Harrelson), the town's revered chief of police. When his second-in-command Officer Dixon (Academy Award winner Sam Rockwell), an immature mother's boy with a penchant for violence, gets involved, the battle between Mildred and Ebbing's law enforcement is only exacerbated.Written by
Fox Searchlight Pictures
Although arson could happen at a police station, it couldn't have happened as portrayed in the movie. Police stations do not close. They are an around the clock operation, for obvious reasons. See more »
[walking into his office]
You Red Welby?
Yes, ma'am. How may I help you?
I heard there's three billboards out on Drinkwater Road. You're in charge of renting them out, that right?
I didn't know we had any billboards out on Drinkwater. Where is Drinkwater Road?
It's a road out past the Sizemore turn-off. Nobody uses it since the freeway got put in.
You are right. Got three billboards out there. Nobody's put nothing up out there since 1986. That was 'Huggies'.
How much to rent out all...
[...] See more »
Three Billboards is an immensely enjoyable viewing experience. The characters are carnivalesque, outrageous and troubling in one turn, heroic and inspiring at the next. McDonagh quite deliberately does not let you find a moral centre in his tale. There is a 'save the cat' moment very early in the film, a character helping an insect rather than crushing it, that is so mechanical that I flinched. Shame on me for falling so easily into McDonagh's trap. The plot zig-zags and leaves you breathless trying to process each new piece of information. The dialogue crackles with delicious insults. I laughed hard, and often. And then I cried. And winced. And laughed again. There is one scene of quite shocking violence. The performances have been lauded, and rightly so, as Frances McDormand, Caleb Landry Jones, Sam Rockwell , and Woody Harrelson bump and smack against each other tied to the roller-coaster plot. Peter Dinklage gets the chance to show his range. But while the praise for the acting is merited, the praise for the screenplay is more problematic. A huge coincidence in the final 20 minutes sets off a chain of events that leads to a redemption that is unearned, and a reconciliation that seems implausible. "Love," implores a missive from one character to another, and the moral turn that character takes on that one command is too abrupt and too unequivocal. It also asks for forgiveness of acts already witnessed, and implied, that are far too egregious to be forgotten. A flawed film then, but perhaps all the more interesting for those flaws. Don't make the mistake of seeing it alone like I did - you will definitely want to talk to someone straight after viewing.
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