An astute observation based on real cases of bullying. In central Gothenburg, Sweden, a group of boys, aged 12-14, robbed other children on about 40 occasions between 2006 and 2008. The ... See full summary »
Georges and Anne are an octogenarian couple. They are cultivated, retired music teachers. Their daughter, also a musician, lives in Britain with her family. One day, Anne has a stroke, and the couple's bond of love is severely tested.
In a Russian coastal town, Kolya is forced to fight the corrupt mayor when he is told that his house will be demolished. He recruits a lawyer friend to help, but the man's arrival brings further misfortune for Kolya and his family.
Christian is the respected curator of a contemporary art museum, a divorced but devoted father of two who drives an electric car and supports good causes. His next show is "The Square", an installation which invites passersby to altruism, reminding them of their role as responsible fellow human beings. But sometimes, it is difficult to live up to your own ideals: Christian's foolish response to the theft of his phone drags him into shameful situations. Meanwhile, the museum's PR agency has created an unexpected campaign for "The Square". The response is overblown and sends Christian, as well as the museum, into an existential crisis.
The preliminary study of "The Square" was "Rutan" (The Square), an exhibition at Vandalorum in Värnamo, Sweden, in spring 2015, where director Ruben Östlund and film producer Kalle Boman wanted to examine the trust they felt towards each other. Pictures from the exhibition are included in the film. See more »
In the closing titles of "The Girl With A Kitten" clip, the Hebrew version is wrong: the English noun "square" appears in Hebrew as "an open space in a city" rather than "rectangle with all sides equal"). See more »
The Square is a sanctuary of trust and caring. Within it we all share equal rights and obligations.
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'The Square' is visually beautiful, well acted not so subtle (I mean, all is seen on the surface and it doesn't go deeper) satire on modern art and modern society with its political correctness and freedom of expression. Although the modern art is very easy target for parody and satire, 'The Square' does not fall into banal mockery of subject and touches the matter quite briefly. I mean, there are not too many puns towards the art scene. The film concerns more about other, and more serious subjects that definitely needs the discussion - political correctness, freedom of speech and creativity, how far we must go with tolerance, the hypocrisy about the care for weaker ones. All important themes, but the film played too safe too many times. The humor (or satire) could have been darker and sharper. More edgy! Pacing was little bit uneven and the film seemed to drag its feet for the last 35 minutes.
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