The final Viceroy of India, Lord Mountbatten, is tasked with overseeing the transition of British India to independence, but meets with conflict as different sides clash in the face of monumental change.
New Dehli in March 1947. The huge and stately Viceroy's Palace is like a beehive. Its five hundred employees are busy preparing the coming of Lord Louis Mountbatten, who has just been appointed new (and last) viceroy of India by prime minister Clement Attlee. Mountbatten, whose difficult task consists of overseeing the transition of British India to independence, arrives at the Palace, accompanied by Edwina, his liberal-minded wife and Pamela, his eighteen-year-old daughter. Meanwhile, in the staff quarters, a love story is born between Jeet, a Hindu, and Aalia, a Muslim beauty. Things will prove difficult - not to say very difficult - both on the geopolitical and personal level.Written by
The first film to be released in British cinemas (different screens and different film prints) in two languages: English and Hindi. See more »
Hugh Bonneville sounds nothing like Lord Mountbatten, who spoke in an accent unique to the British royal family and members of the aristocracy. Gillian Anderson's accent as Lady Mountbatten is more accurate. See more »
Good film - but a serious distortion of history...
The film is beautifully acted and a good sub-plot revolving around staff in the viceroy's house.
However, the central conceit of the movie is complete rubbish (plot spoiler averted)...The film, unwittingly or deliberately, robs the Indians and Pakistanis of any agency in their own fate when, in fact, I-Congress and Jinnah made nearly all the running on what happened at partition. The potential for terrible violence between the two main religious communities was always present in India and not a cunning ruse by the imperial government or the Mughals before them. Less painful to blame third parties...
Anyway, the history aside this is a very well put together movie. It would have got 9 stars if it had not played so fast and loose with the truth, which matters if we are to deal with the hurts of the world.
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