Lou Andreas-Salomé, The Audacity to be Free

For those looking to learn about one of the most prolific proto-feminists in Europe at the turn of the century, the story of Lou Salome hits all of the marks. Like protestant England, Germany was "Victorian" to the point of institutionalizing the silencing of intellectual women. They were good for marriage and children and hosting social gatherings. Salome refused to wear any such traditional shackles and though it caused scandal after scandal, she remained single and childless, writing philosophical and psychological works that have since been nearly forgotten (and nearly lost), but are surprisingly still relevant today. The film is artfully directed, with strong period acting, and deep set decoration. There are several scenes with quick philosophical repartee that may seem heavy to those unfamiliar with the arguments, but for those with some philosophical background, they are a pleasure to hear. Salome was surrounded by adoring men-- Ree, Nietzsche, Andreas, Rilke, Jung, Freud-- but she sacrificed romantic involvement in favor of intellectual fulfillment, the main exception being Rilke. Later in life, she dated freely, like a man would, apologizing for nothing. She was admired for her intelligence and style in the salons of Vienna, Rome, and Berlin, and was a match for any man she encountered. The narrative has a few slow points, like most period dramas, but overall it's an inspiration that this film got made. It will likely send the curious to read more about her life and works. Like most historical biopics, the more you know going in, the more rewarding this portrayal becomes.

Before seeing this film, I knew about Lou Andreas-Salome's connection with Rilke and Freud but never understood what an important figure she was in her own right. Cordula Kablitz-Post tells her story with impressive cinematic freedom, giving it a powerful emotional charge. This is one of the few biopics I've seen that the subject might actually have liked. Warmly recommended.

It is good news having biopics for female figures such as Andrea-Salome.

But I had the impression that the film is more focused on the famous male figures related/inlove with her rather than in the interesting ideas she developed as philosopher and psycoanalist.