Three time periods - young adolescence, mid-teen and young adult - in the life of black-American Chiron is presented. When a child, Chiron lives with his single, crack addict mother Paula in a crime ridden neighborhood in Miami. Chiron is a shy, withdrawn child largely due to his small size and being neglected by his mother, who is more concerned about getting her fixes and satisfying her carnal needs than taking care of him. Because of these issues, Chiron is bullied, the slurs hurled at him which he doesn't understand beyond knowing that they are meant to be hurtful. Besides his same aged Cuban-American friend Kevin, Chiron is given what little guidance he has in life from a neighborhood drug dealer named Juan, who can see that he is neglected, and Juan's caring girlfriend Teresa, whose home acts as a sanctuary away from the bullies and away from Paula's abuse. With this childhood as a foundation, Chiron may have a predetermined path in life, one that will only be magnified in terms...Written by
Both director Barry Jenkins and writer Tarell Alvin McCraney's vision was pretty clear and singular in that both men grew up in the same Liberty City neighborhood of Miami with mothers who had both struggled with drug addiction. Roughly 80% of the film was shot on location here, one of the most poverty-stricken areas in the United States. Initially the production was apprehensive about safety issues until the word got out that Jenkins was from the neighborhood - then everything changed for the better. The locals couldn't have been more welcoming and cooperative. Naomie Harris has said that she'd never felt so appreciated and at ease on a film set during the shoot. See more »
When young Chiron eats as a guest he is seen holding his fork differently than the adult Chiron in the diner at the end of the movie. See more »
Who is you man?
Yeah nigga. You. Them fronts? That car? Who is you Chiron?
I'm me man. Ain't trying to be nothing else.
So you hard now?
I ain't say that.
Look. I'm not trying hem you up. Just... I ain't seen you in a minute. Not what I expected, none of it. Not good or bad. Just not what I expected.
Well, what did you expect?
[...] See more »
So you wake up and find that Moonlight won the Oscar for Best Picture. Against La La Land. Against Manchester By The Sea. Against Hacksaw Ridge. OK...
"Moonlight" is not a bad movie, by no means. It has great moments, beautiful cinematography, interesting dialogue during the scenes and nice acting (although not amazing) - is nomination for Best Picture is acceptable. The problem is that this isn't an Academy Movie Winner. The main character lacks a more profound development, the "third scene" is close to nothing (it adds basically anything) and, at some point, we've seen this film before - just remember "Boyhood".
So, it's a nice movie, interesting, but pure and simply not good enough to conquer Oscars Night.
27 of 53 people found this review helpful.
Was this review helpful to you?
| Report this