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Don't Think Twice (2016)

R | | Comedy, Drama | 22 July 2016 (USA)
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When a member of a popular New York City improv troupe gets a huge break, the rest of the group - all best friends - start to realize that not everyone is going to make it after all.

Director:

Mike Birbiglia

Writer:

Mike Birbiglia
7 nominations. See more awards »

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Cast

Cast overview, first billed only:
Gillian Jacobs ... Samantha
Mike Birbiglia ... Miles
Kate Micucci ... Allison
Tami Sagher ... Lindsay
Keegan-Michael Key ... Jack
Emily Skeggs ... Shy Sarah
Chris Gethard ... Bill
Brandon Scott Jones ... Audience Chuck
Sunita Mani ... Amy
Sondra James ... Bonnie
Richard Kline ... Mr. Coughlin
Glenn Wein ... Psychiatrist
Neil Fleischer ... Pianist Seth
Erin Darke ... Natasha
Gary Richardson ... Gary
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Storyline

JACK (Keegan Michael Key) & his girlfriend Samantha (Gillian Jacobs) are a perfect couple who are also Teammates on a popular improv group that perform at a struggling comedy spot in NYC. Together, the team has a family like bond but individually they have their personal dreams of being on the weekly television show "This Weekend Live". Written by inhollywoodtv

Plot Summary | Add Synopsis

Taglines:

The spotlight's not for everyone.

Genres:

Comedy | Drama

Motion Picture Rating (MPAA)

Rated R for language and some drug use | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official site

Country:

USA

Language:

English

Release Date:

22 July 2016 (USA) See more »

Also Known As:

A Grande Oportunidade See more »

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Box Office

Opening Weekend USA:

$92,835, 24 July 2016

Gross USA:

$4,417,667

Cumulative Worldwide Gross:

$4,417,667
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

According to Mike Birbiglia Jimmy Carr agreed to take the role of a fake TV psychic, but the character was lost as 'it was too much of a digression'. See more »

Goofs

In the special thanks section of the credits, Jordan Klepper's name is misspelled as Jordon Klepper. See more »

Quotes

Liz: I like you.
Miles: I like me too.
See more »

Crazy Credits

After thanking The Upright Citizens Brigade theater and The Second City, there's a note saying "Thank youuuuuu" referencing the movie's running gag about Bill's father. See more »


Soundtracks

What Would I Do
Written and Performed by Leigh Ann Yost
Published by Basic Needs Music / pubBLAST! Songs (BMI)
Courtesy of sonaBLAST! Records
See more »

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User Reviews

Uncommonly insightful about comedy in general and improv in particular.
25 August 2016 | by jdesandoSee all my reviews

"I think for anyone - male or female - in improv, the biggest thing to get over is the fear. I think every improviser has that." Rachel Dratch

Don't Think Twice makes you think more than once about not just the enormous demands of comedy, including fear of failure, but also about doing anything for a profession that may give you little to no compensation other than the joy of doing what you love and are good at.

More than anything else, this comedy makes a poignant comment on the irony of talented people making it while other talents struggle never to be recognized. Miles (writer-director Mile Birbiglia) feels it painfully as he sees Jack (Keegan-Michael Key) win a spot on Weekend Live (no doubt, Saturday Night Live) while Miles and his other colleagues labor in the lesser venue of NYC on the improv team, The Commune.

As the title of their improv group suggests, their work is communal, depending on an effort for which individual spotlights have no place. Ironically, Jack wins the Weekend Live job partially by standing out doing a solo routine even though his colleagues warned him against it.

Don't Think Twice does an effective job of showing the inherent contradictions of communal support and individual talent. In the matter of a romance between Jack and Sam (Gillian Jacobs), the tensions between their emerging rewards for their talent and sacrifice are subtly displayed in their loving routines and their personal love.

You would not be surprised to know how difficult it would be to determine which bits in the movie are improv and which are rehearsed, so good are the performers. Even that puzzle supports a theme about the intersection of reality and artifice, a benign clash between the creative improvisation and the spontaneity of life itself. Both bring their rewards and disappointments.

Here is a comedy with touches of real life--hey, I think that's what life itself is all about.


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