6.0/10
1,543
17 user 86 critic

Touch Me Not (2018)

Together, a filmmaker and her characters venture into a personal research project about intimacy. On the fluid border between reality and fiction, Touch Me Not follows the emotional journeys of Laura, Tómas and Christian, offering a deeply empathic insight into their lives.

Director:

Adina Pintilie

Writer:

Adina Pintilie
2 wins & 11 nominations. See more awards »

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Cast

Credited cast:
Laura Benson ... Laura
Tómas Lemarquis ... Tomas
Christian Bayerlein Christian Bayerlein ... Christian
Grit Uhlemann Grit Uhlemann ... Grit
Adina Pintilie ... Adina
Hanna Hofmann Hanna Hofmann ... Hanna / transsexual
Seani Love ... Seani
Irmena Chichikova ... Mona
Rainer Steffen Rainer Steffen ... Stefan
Georgi Naldzhiev Georgi Naldzhiev ... Male Escort
Dirk Lange ... Radu
Annett Sawallisch Annett Sawallisch ... Nurse
Rest of cast listed alphabetically:
Jette Blümler Jette Blümler
Michael Braun Michael Braun
George Chiper George Chiper
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Storyline

"Tell me how you loved me, so I understand how to love." Together, a filmmaker and her characters venture into a personal research project about intimacy. On the fluid border between reality and fiction, Touch Me Not follows the emotional journeys of Laura, Tómas and Christian, offering a deeply empathetic insight into their lives. Craving for intimacy yet also deeply afraid of it, they work to overcome old patterns, defense mechanisms and taboos, to cut the cord and finally be free. Touch Me Not looks at how we can find intimacy in the most unexpected ways, at how to love another without losing ourselves. Written by 68th Berlin International Film Festival & Manekino Film

Plot Summary | Add Synopsis

Genres:

Drama

Certificate:

See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook

Language:

English | German

Release Date:

31 October 2018 (France) See more »

Also Known As:

Dokunma Bana See more »

Filming Locations:

Romania See more »

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Box Office

Budget:

€1,000,000 (estimated)

Opening Weekend USA:

$5,616, 13 January 2019, Limited Release

Gross USA:

$13,782, 7 March 2019
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

This is director Adina Pintilie's feature film debut. See more »

Quotes

Adina: [voice over] Tell me how you loved me, so I know how to love.
See more »

Soundtracks

Wir sind gekommen die Geschenke abzuholen
Written by Blixa Bargeld, N.U. Unruh, Alexander Hacke,
Jochen Arbeit and Rudi Moser
Performed by Einstürzende Neubauten
Published by Freibank
Courtesy of Potomak
See more »

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User Reviews

 
I was on board, until I wasn't
21 May 2019 | by jramalhoSee all my reviews

I really wanted to like this movie. The premise seemed intriguing, and divergent opinions (when clearly thought out, and not basic "genius" or "garbage" labels) usually signal the movies I want to (and should) watch. The framing, lighting and even music (can't go wrong with Einsturzenden Neubauten) are very good, and the movie starts out well enough on its exploration of intimacy and distance. Its a bit predictable that it veers into sex-based themes (a la "Eyes Wide Shut", if that film were really trying), which I suspect may have annoyed some people. Although I thought it was not "earned", That didn't bother me at all, the (excruciatingly) slow pacing, the connection between scenes, the underdeveloped characters that are hard to identify with (with one or two exceptions) and the fragmented editing did. It's hard to reach intimacy without, at the same time, building walls even as they are being torn down, and life can be slow, fragmented, unconnected, hard to identify with and underdeveloped. But its the map vs. territory argument: a film is not life. My main issue is that this is a film that clearly seemed profound to the filmmaker and actors, and I'm almost positive that the experience of making it was enlightening to them. But it seemed like a private, hermetic, enlightenment. As a viewer I would have to have been interested in the characters and situations; somehow invested in what little developments did happen. And, in the end, to me they weren't really all that interesting.


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