Divorced former baseball player Charlie Goodson is now an anger management therapist. He has a teenage daughter with obsessive-compulsive disorder and he has a purely sexual relationship ... See full summary »
Dimitri wakes up lying next to the pool wondering how he got there. Slowly he remembers the big party at his place last night that included Charlie Sheen, Jean-Claude Van Damme and loads of cute women.
Dimitri 'Vegas' Thivaios,
An adrenaline seeking snowboarder gets lost in a massive winter storm in the back country of the High Sierras where he is pushed to the limits of human endurance and forced to battle his own personal demons as he fights for survival...."
After putting his past behind him, Charlie made a fresh start with ANGER MANAGEMENT and made it personal. In this new interview with Charlie Sheen, Charlie discusses the development and process behind the making of Anger Management.
On the morning of September 11, 2001, a messenger sings "Happy Birthday to You" to his daughter, a billionaire argues with his wife in a divorce hearing, a maintenance man begins his day, and a young Russian decides she's breaking up with her sugar daddy. When the first plane hits the World Trade Center, these five elevator passengers find themselves trapped. Forced to band together, they fight against all odds to escape before the imminent and inevitable collapse occurs..
Saturday Night Live cast member Pete Davidson, who lost his father in the 9/11 attacks, condemned the 9/11 film in an Instagram post, citing actor Charlie Sheen's history with the Truther movement. Although Davidson is notorious for using what many would consider blatantly cruel and offensive 9/11 humor as a coping mechanism on stage, he didn't like the way the film dramatized such a subject and hired an actor who spreads rumors about the attacks, and brought up his father's death (his father was a firefighter believed to have been killed somewhere in the Marriott Hotel near the World Trade Center). Although some people wholeheartedly agreed with Davidson, others online argued that the film handled the taboo subject of 9/11 very well, and that Sheen's status as a 9/11 conspiracy theorist should not determine his ability to act. Rebecca McNutt, a teenage author known for writing the 9/11 themed novella Bittersweet Symphony that same year, stated on Goodreads, "9/11 is not my tragedy - well, actually it is to some degree for reasons better not talked about, but it's not my tragedy alone to deal with and understand. It's everybody's tragedy, and I really don't feel like I necessarily have the right to condemn this film when there are people out there who actually lost parents and friends during 9/11, people far worse off than I am in terms of this disaster - but all the same, I can't pretend that it doesn't offend me, not that I'm saying it should be censored. If people really get enjoyment from it, it's not my duty to complain about something like that." IndieWire and The Wrap also posted articles on the 9/11 film, with headlines such as "Charlie Sheen Drama Is Beyond Offensive". See more »
Eddie starts hitting the drywall to get out of the elevator, making at least two big marks on it. Then the elevator cables start breaking. When Eddie starts banging the wall again, it is free of any hammer marks. See more »
You're hoping for better (casue of the title and what it means), but you don't get it. However, it's still an OK film.
I just realized the movie came out on the weekend before 9/11's 16th anniversary, but first and foremost, this movie is about people. It's a compelling story about how strangers from all walks of life, can just so happen in an elevator, set to the background of 9/11. These people start to bond as they attempt to survive.
It's trilling, suspenseful and very dramatic, especially the performance of Charlie Sheen, proving he is still capable of playing a character that's just not himself in a way (Don't even know the last time he played someone who was not named Charlie)
The whole movie feels like a play, and then I find out in the end credits that that's exactly what it was adapted from, a play called Elevator, a title I must admit I'd prefer over 9/11.
Though I understand why they called in 9/11, what's good about this character driven piece is the fact that it's about the characters and the story happens to be set on 9/11. I just love the good life lessons the story tells as these strangers get to know each other past the stereotypes we put on people on our first impressions. Very human.
Overall, it's not the best movie but I am impressed by the adaption. It really touches on the right emotions.
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