Wynonna Earp

I don't consider myself an Earper, but the fact that I follow this show at all is a step up from my usual apathy.

Look, objectively Wynonna Earp is not a particularly great show. The dialogue is deeply cheesy and often terrible. The special effects are atrocious. And season four has developed the unfortunate habit of winking to its fans a little too often.

And yet, the whole thing has such effusive love both in front of and behind the camera that I can't help but be caught up by it. The actors are clearly having the time of their lives with goofy material, and that enthusiasm is infectious. WayHaught is one of the best ships in recent memory not just because it's fairly well-written, but because Dominique Provost-Chalkley and Katherine Barrell are clearly invested in their characters and doing right by them. And no matter how corny or ridiculous Wynonna's antics become, Melanie Scrofano anchors the show with her fearless performance.

In short, the definition of guilty pleasure TV. Give it at least the first five episodes to hit its stride and don't take it too seriously - it certainly doesn't - by then you won't even think about looking back.