IMDb RATING
6.2/10
6.4K
YOUR RATING
An unassuming high-schooler finds himself inexplicably drawn to the free-spirited new girl, whose unconventional ways change how they see themselves--and each other.An unassuming high-schooler finds himself inexplicably drawn to the free-spirited new girl, whose unconventional ways change how they see themselves--and each other.An unassuming high-schooler finds himself inexplicably drawn to the free-spirited new girl, whose unconventional ways change how they see themselves--and each other.
- Awards
- 1 nomination total
Maximiliano Hernández
- Mr. Robineau
- (as Maximiliano Hernandez)
Enzo De Angelis
- Leo Age 8
- (as Enzo Charles De Angelis)
Featured reviews
I hadn't really heard much about this movie so I didn't know what to expect.
Since it was in Disney Plus I wasn't sure if it was going to be a Disney channel original or like a cinema release type of movie.
I think it falls in the middle. It has the squeaky cleanness of a DCOM but the production is more a cinematic release.
It was perfectly fine and isn't as bad as say a Netflix teen movie. It was a bit cheesey at parts but it had a lot more heart. And I think that is this movies strongest asset, that it has heart in buckets full.
I love a outcast "weirdo" story and I appreciate that for people who feel the same way it can help them feel validated but I found this characterisation a little too caricature at Times not to say the lead was bad I thought she was really good. It was more the screenplay that made the character do like cartoony actions that I just don't think ring true.
I also think the movie should have focused more on Stargirl and not on the male lead. This should have been her movie but we only follow her through the eyes of him. He could still be in the movie but it should have been focused on her and her life and have her be our main character.
It's perfectly fine so if you have Disney plus you could watch it but i wouldn't buy it solely to watch this.
Since it was in Disney Plus I wasn't sure if it was going to be a Disney channel original or like a cinema release type of movie.
I think it falls in the middle. It has the squeaky cleanness of a DCOM but the production is more a cinematic release.
It was perfectly fine and isn't as bad as say a Netflix teen movie. It was a bit cheesey at parts but it had a lot more heart. And I think that is this movies strongest asset, that it has heart in buckets full.
I love a outcast "weirdo" story and I appreciate that for people who feel the same way it can help them feel validated but I found this characterisation a little too caricature at Times not to say the lead was bad I thought she was really good. It was more the screenplay that made the character do like cartoony actions that I just don't think ring true.
I also think the movie should have focused more on Stargirl and not on the male lead. This should have been her movie but we only follow her through the eyes of him. He could still be in the movie but it should have been focused on her and her life and have her be our main character.
It's perfectly fine so if you have Disney plus you could watch it but i wouldn't buy it solely to watch this.
I read Stargirl in school as a class in eighth grade and loved it. The characters and story were so good. Apparently from this movie though, the narrator was a boy named Leo. I didn't know that. This movie though... If Grace VanderWaal isn't playing the uke and singing while the camera is spinning around her, then the movie is just... okay. I didn't really care for Leo. Stargirl was the only character I liked. I liked how Stargirl finished her fight with the "mean girl" at the dance in the book better than the movie. I don't feel like watching the whole thing again but I would watch the scenes where Grace plays her uke with the cheerleading squad.
The movie took a good book and removed all the important plot points so it's just a collection of sunsets and singing and weirdly out of place emotional outbursts. The characters lack a depth that seems to have been replaced by quirky outfits, and the movie is insulting to the intelligence of youth using a vernacular that is obviously fabricated by adults. And of course in typical Disney fashion, the movie stars white people set against a backdrop of people of color in a brashly obvious act of tokenization.
Every so often there comes a film or film franchise where people say they can't imagine anyone else in the role, or it's as if the role was meant for them. You know who I'm referring to: Robert Downey Jr. as Tony Stark, Tom Cruise as Ethan Hunt, Reese Witherspoon as Elle Woods, Johnny Depp as Jack Sparrow... the list goes on.
Well, in the midst of the exuberant young career helmed by one Grace VanderWaal (who became an overnight sensation from a talent show with her uplifting lyrics, raw vocal talent and a wooden ukulele), in comes a film whose screenplay is adapted from a 20-year-old novel that hearkens closely to the livelihood of a then 15-year-old girl.
Grace, much like Stargirl (and hereon out I can simply use the pronoun "she" to interchangeably refer to both), has a magic touch: in she comes, out she goes, and everyone is positively affected by her presence and actions. Always humbled, the cogwheels in her head turn differently where she sees light as the spark and answer to all of life's secrets, even if it means that normalcy falls into the wayside of obscurity. She lives in the moment, for the moment. She is never seeking instant gratification, and although she yearns for acceptance, she will not allow herself to be ill-fated by what others deem to groom her to be.
And yet, this film is not even about Stargirl. We see the film through the lens of the other co-star named Leo, who spends the early parts of the film settling for what small role he can blend into in his small school in a small town, all of which are notorious for accomplishing next to nothing. Stargirl's arrival is something of a stroke of magic to some, yet thematically we can all agree that she merely taps the potential that every character instills inside of them.
As far as the movie itself goes, it's pretty decent. It held my attention, and even though it works through minimalistic plot development, it is meant to serve the characters more than anything else. Unfortunately, I think some of the character structure was a bit off with the pacing, and I think the best thing that would have saved it is if this went the way of a TV series instead. I'm fine with it being a film so long as I can feel the passage of time within a few minutes span and fill in any gaps, but otherwise this had some weird off-beat moments.
Anyway, Grace really starts to disappear as Stargirl. When I first heard she was cast for the role, I thought for a while this would be one of those cutesy "Aww, look at little Grace doing her thing in a movie!" moments. Nope, instead she played a character (who could sing and play the uke, but that's okay) and she played it quite strongly. I was proud to see that, and would love to see her in other roles again. They don't always have to be leads and they don't have to involve music, and I would most certainly like to check it out for myself.
Sit back and enjoy this one, but don't expect the world of it. Just let it happen. That's exactly how Grace would want you to watch it, too.
Well, in the midst of the exuberant young career helmed by one Grace VanderWaal (who became an overnight sensation from a talent show with her uplifting lyrics, raw vocal talent and a wooden ukulele), in comes a film whose screenplay is adapted from a 20-year-old novel that hearkens closely to the livelihood of a then 15-year-old girl.
Grace, much like Stargirl (and hereon out I can simply use the pronoun "she" to interchangeably refer to both), has a magic touch: in she comes, out she goes, and everyone is positively affected by her presence and actions. Always humbled, the cogwheels in her head turn differently where she sees light as the spark and answer to all of life's secrets, even if it means that normalcy falls into the wayside of obscurity. She lives in the moment, for the moment. She is never seeking instant gratification, and although she yearns for acceptance, she will not allow herself to be ill-fated by what others deem to groom her to be.
And yet, this film is not even about Stargirl. We see the film through the lens of the other co-star named Leo, who spends the early parts of the film settling for what small role he can blend into in his small school in a small town, all of which are notorious for accomplishing next to nothing. Stargirl's arrival is something of a stroke of magic to some, yet thematically we can all agree that she merely taps the potential that every character instills inside of them.
As far as the movie itself goes, it's pretty decent. It held my attention, and even though it works through minimalistic plot development, it is meant to serve the characters more than anything else. Unfortunately, I think some of the character structure was a bit off with the pacing, and I think the best thing that would have saved it is if this went the way of a TV series instead. I'm fine with it being a film so long as I can feel the passage of time within a few minutes span and fill in any gaps, but otherwise this had some weird off-beat moments.
Anyway, Grace really starts to disappear as Stargirl. When I first heard she was cast for the role, I thought for a while this would be one of those cutesy "Aww, look at little Grace doing her thing in a movie!" moments. Nope, instead she played a character (who could sing and play the uke, but that's okay) and she played it quite strongly. I was proud to see that, and would love to see her in other roles again. They don't always have to be leads and they don't have to involve music, and I would most certainly like to check it out for myself.
Sit back and enjoy this one, but don't expect the world of it. Just let it happen. That's exactly how Grace would want you to watch it, too.
One of the great ironies of this film is that the choreography was done by Mandy Moore who, not so long ago, would herself have been starring in this "vehicle." That said, VanderWaal, a legit child phenom if ever there was, acquits herself well in an under-stated performance, doing most of her numbers almost acapella. The film starts slow with no gimmicks and builds nicely. VanderWaal does indeed have a future in film. If she wants one.
Storyline
Did you know
- TriviaGrace VanderWaal won "America's Got Talent" in 2016 at age 12, singing songs she wrote and played on a ukulele.
- GoofsWhen Stargirl is singing on the football, field everyone in the stands can hear her. In reality the cheerleaders wouldn't even be hearing her.
- Quotes
Leo Borlock: [narrating, after Stargirl leaves one last time] And just like that, she was gone. Her mom sold the house. I imagine they were on the road somewhere. But even though she was gone, she was everywhere.
- ConnectionsFeatured in AniMat's Crazy Cartoon Cast: D23 Expo 2019 Extravaganza (2019)
- SoundtracksMica Fight Song
Written by Marius De Vries
- How long is Stargirl?Powered by Alexa
Details
- Runtime1 hour 47 minutes
- Color
- Sound mix
- Aspect ratio
- 2.05 : 1
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