A five-year-old Indian boy gets lost on the streets of Calcutta, thousands of kilometers from home. He survives many challenges before being adopted by a couple in Australia. 25 years later, he sets out to find his lost family.
An aspiring author during the civil rights movement of the 1960s decides to write a book detailing the African American maids' point of view on the white families for which they work, and the hardships they go through on a daily basis.
As the United States raced against Russia to put a man in space, NASA found untapped talent in a group of African-American female mathematicians that served as the brains behind one of the greatest operations in U.S. history. Based on the unbelievably true life stories of three of these women, known as "human computers", we follow these women as they quickly rose the ranks of NASA alongside many of history's greatest minds specifically tasked with calculating the momentous launch of astronaut John Glenn into orbit, and guaranteeing his safe return. Dorothy Vaughan, Mary Jackson, and Katherine Gobels Johnson crossed all gender, race, and professional lines while their brilliance and desire to dream big, beyond anything ever accomplished before by the human race, firmly cemented them in U.S. history as true American heroes.Written by
20th Century Fox
One of the ways that Katherine experiences workplace discrimination is when her coworkers require her to use a separate coffee pot. Whenever the office's coffee area is shown, the brand of coffee that they use, Chock Full o'Nuts, is also visible. The use of this brand in the context of segregation is historically relevant. In 1957, Chock Full o'Nuts was one of the first major New York corporations to hire a black executive as a corporate vice-president. The man they hired, retired baseball legend Jackie Robinson, had made history by being the first person to break the color barrier in professional baseball. See more »
At the Mercury 7 press conference, when the astronauts are asked "Which one of you will be the first in space?", and the astronauts all raise their hands (Glenn famously raising both of his), Glenn is shown raising both hands, then the camera angle changes, and he raises both hands again. See more »
Every time we get a chance to get ahead they move the finish line. Every time.
See more »
A film so concerned with being a political statement that it forgets to be a good film.
Hidden Figures tells the story of three African American women in the late sixties as they become instrumental to NASA in putting John Glen on the moon. Directed by Theodore Melfi and stars Taraji P. Henson, Octavia Spencer, Kevin Costner and Kirstin Dunst, Hidden Figures would be a good film had it not been so concerned with the idea of the empowerment of women that it forgot to be a good, engaging film. It has the proper ingredients to become a heavy hitter but trades it in using its excellent cast as more of a political statement than anything else.
The film starts off by introducing us to Katherine Johnson, Dorothy Vaughn, and Mary Jackson (Henson, Spencer and Janelle Moàne) in almost the exact same ways. We see that Katherine is a number cruncher and a brilliant woman all around...then the exact same character traits are rehashed for Spencer and Moàne's characters. There is nothing different between the women, there are 3 of the same character in one film. The only difference between the three is Taraji P. Henson's excellent performance that makes her thoroughly enjoyable throughout a film that would have been a direct-to-digital film otherwise. The film does very little to give any development to these women and keeps drowning us in the notion that "this is girl power." It became extremely redundant after awhile and left me waiting for the film to get serious but it never did. This is a film that is more about what the characters did rather than how and why they did it.
Overall, Hidden Figures is a bland film with paper thin characters that tries to make more of a political statement rather than make a good film. This is a perfect example of political climate affecting creative endeavors. If there were anything I could say it is: if you're going to see the film, see it for no other reason than Taraji P. Henson's excellent performance. Taking her out of this film in any way, shape or form would have probably stopped this film in the development process but then again, maybe that is where this should have stayed.
213 of 413 people found this review helpful.
Was this review helpful to you?
| Report this