The story of a team of female African-American mathematicians who served a vital role in NASA during the early years of the U.S. space program.

Director:

Theodore Melfi

Writers:

Allison Schroeder (screenplay by), Theodore Melfi (screenplay by) | 1 more credit »
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Popularity
653 ( 88)
Nominated for 3 Oscars. Another 36 wins & 91 nominations. See more awards »

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Cast

Cast overview, first billed only:
Taraji P. Henson ... Katherine G. Johnson
Octavia Spencer ... Dorothy Vaughan
Janelle Monáe ... Mary Jackson
Kevin Costner ... Al Harrison
Kirsten Dunst ... Vivian Mitchell
Jim Parsons ... Paul Stafford
Mahershala Ali ... Colonel Jim Johnson
Aldis Hodge ... Levi Jackson
Glen Powell ... John Glenn
Kimberly Quinn ... Ruth
Olek Krupa ... Karl Zielinski
Kurt Krause ... Sam Turner
Ken Strunk ... Jim Webb
Lidya Jewett ... Young Katherine Coleman
Donna Biscoe ... Mrs. Joylette Coleman
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Storyline

As the United States raced against Russia to put a man in space, NASA found untapped talent in a group of African-American female mathematicians that served as the brains behind one of the greatest operations in U.S. history. Based on the unbelievably true life stories of three of these women, known as "human computers", we follow these women as they quickly rose the ranks of NASA alongside many of history's greatest minds specifically tasked with calculating the momentous launch of astronaut John Glenn into orbit, and guaranteeing his safe return. Dorothy Vaughan, Mary Jackson, and Katherine Gobels Johnson crossed all gender, race, and professional lines while their brilliance and desire to dream big, beyond anything ever accomplished before by the human race, firmly cemented them in U.S. history as true American heroes. Written by 20th Century Fox

Plot Summary | Plot Synopsis

Taglines:

Meet the women you don't know, behind the mission you do. See more »


Motion Picture Rating (MPAA)

Rated PG for thematic elements and some language | See all certifications »

Parents Guide:

View content advisory »
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Did You Know?

Trivia

The issue with the bathrooms was not something Katherine Johnson personally experienced. It was actually encountered by Mary Jackson instead. In fact, it was this incident, as a result of Jackson ranting to a colleague, which got her moved to the wind tunnel team. Johnson was initially unaware that the East Side bathrooms were even segregated, and used the unlabeled "whites-only" bathrooms for years before anyone complained. When she simply ignored the complaint, the issue was dropped completely. See more »

Goofs

When Mary says Katherine needs to learn how to dance, and proceeds to teach her, Katherine is leading. She should be learning in the following position for when she dances with a man. See more »

Quotes

Al Harrison: We get to the peak together, or we don't get there at all.
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Connections

Featured in Hollywood Express: Episode #15.2 (2017) See more »

Soundtracks

Have A Good Time
Written by Boudleaux Bryant and Felice Bryant
Performed by Ruth Brown
Courtesy of Atlantic Recording Corp.
By arrangement with Warner Music Group Film and TV Licensing
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User Reviews

 
Major Feel-Good Movie, just gets better as it goes along
12 January 2017 | by A_Different_DrummerSee all my reviews

In the opinion of this reviewer, an extraordinary achievement.

The characters on which the film is based were special and unique on their own, and well deserving of the sort of semi-documentary films that Hollywood likes to serve up.

However, to take that story and bump it up to a major "feel-good film" that engages the viewer from the getgo and does not let up until the very end of its 2 hour and 5 minute running time, THAT is what elevates this project to greatness.

I want to be clear on this because it is important. There are two ways to do a feel-good film. One is (ironically!) by the numbers, using proved plot arcs and other script devices to make it work. An example of this for example is the latest Disney release MOANA which has taken some heat from critics for being derivative and not original. But that, you see, is the tried and true method to achieve the effect that the producers wanted. And it works.

The other way to make a film engaging and fun is to use your instincts and your actors to get the most from each scene. No rule book, no fixed way of doing a scene, just doing what works. This is, I believe the way that writer/director Theodore Melfi set out to do Hidden Figures, and boy did he pull it off! The acting is stellar. Costner has matured in his latest film roles and his work here is as far from the nonsense he used to do (like the dreaded Robin Hood) as the earth is from the sun.

Taraji P. Henson finally lands a great role, the kind of role she was looking for when she left the hit series Person of Interest a tad early.

And every good film or TV series needs a character who is "the glue" or a reference point that the viewer can use, like a compass needle, to see where we are in the main story. Here Octavia Spencer gives the performance of her life as that "glue" and helps the director to pace the film.

Highly recommended.


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Frequently Asked Questions

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Details

Country:

USA

Language:

English

Release Date:

6 January 2017 (USA) See more »

Also Known As:

Hidden Figures See more »

Filming Locations:

Atlanta, Georgia, USA See more »

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Box Office

Budget:

$25,000,000 (estimated)

Opening Weekend USA:

$515,499, 25 December 2016

Gross USA:

$169,607,287

Cumulative Worldwide Gross:

$236,225,193
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Dolby Digital | DTS (DTS: X)| Auro 11.1 | SDDS

Color:

Color | Black and White (some sequences)

Aspect Ratio:

2.39 : 1
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