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Good Time (2017)

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After a heist goes awry, a bank robber spends a night trying to free his mentally handicapped brother from being sent to Riker's Island prison.
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6 wins & 36 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
Ray
...
Crystal (as Taliah Lennice Webster)
...
...
...
Caliph
Peter Verby ...
Saida Mansoor ...
Agapia Nikas
Gladys Mathon ...
Annie
Rose Gregorio ...
Loren Ellman
...
Astrid Corrales ...
Bail Bondsman's Assistant
Rachel Black ...
Rachel the Public Defender
Hirakish Ranasaki ...
Trevor
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Storyline

Motivated by an almost ferocious love for his intellectually disabled brother, Nick, and an explosive mix of desperation and thirst for a better life, the abrasive and fledgeling criminal, Connie, involves his sibling in an ill-conceived bank robbery that swears to be a quick and easy job. Instead, things go utterly wrong, and Nick will wind up in Rikers Island after one unanticipated complication, forcing the desperate but determined Connie to embark on a nightmarish, no-holds-barred quest to bail Nick out. Inevitably, over the course of a long and violent night, Connie will go to great lengths to save Nick from a cruel fate, doomed, however, to do more harm than good. Is it all heading somewhere? Written by Nick Riganas

Plot Summary | Add Synopsis

Taglines:

Are you ready for a Good Time?

Genres:

Crime | Drama | Thriller

Motion Picture Rating (MPAA)

Rated R for language throughout, violence, drug use and sexual content | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

25 August 2017 (USA)  »

Also Known As:

Good Time: Viviendo al límite  »

Filming Locations:

 »

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Box Office

Opening Weekend USA:

$125,101, 13 August 2017, Limited Release

Gross USA:

$2,009,484, 12 October 2017
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Cinematographer Sean Price Williams about the decision to shoot on 35mm film: "I have an abiding love for film and love watching films shot on film. It's a flexible, versatile recording medium that you can use to create very nostalgic or naturalistic aesthetics. But I also like to electrify the filmed image and colors, especially strong colors, look great on film. Combined with it's grain structure, film is made for a stimulating picture that is easier to create on set and more interesting to watch than a digital interpretation. Film sees what is in front of you on set; it's alive. However, I was not interested in contemporary naturalism for the mainstay of this production. After the bank job takes place, I wanted Good Time to become a surreal nightmare and to get as wild and as expressive as I could with the visuals." See more »

Goofs

During the flashback scene outside White Castle, the acid-buying complainer is shown running along a street and then entering a cab. The street has red colored crosswalks (or bicycle paths) and the cab is green and white. Neither the red path nor any green and white cabs are found in New York City, let alone the Queens, New York area where the film takes place. See more »

Quotes

Ray: You ever do time before?
See more »

Crazy Credits

The film's editors receive an unusually prominent credit position: between producers and writers. See more »

Connections

References Gladiator (2000) See more »

Soundtracks

Rock Me
Written by Sam Ray Mosley and Robert Augusta Johnson
Performed by Mosley & Johnson
Courtesy of Malaco Records O/B/O Muscle Shoals Records
Published by Peermusic III, LTD. on behalf of itself, Malaco Music Co., and Back Scat Publishing Co.
See more »

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User Reviews

 
Wha ???
4 September 2017 | by See all my reviews

Don't quite understand the very high ratings for this -- I picture friends of the producer, or interns at the distributor working away to find new ways to praise with faint damns. I saw it at BAM in Brooklyn, and the mostly hipster audience sat in stunned silence throughout - with occasional relieved chuckles at the few flashes of stupidity that came off as funny. Loud, violent, all closeups and menacing pretentious music unrelated to the action.

Pattinson indeed breaks his pretty boy mold, and works very hard - but a lot of "fucks" and running very fast down urban streets does not constitute a breakout performance. JL Leigh does her usual sterling job as a frighteningly dumb victim -- but she was on screen for maybe 4 minutes. The only performance that worked was the 16yo girl Crystal -- Taliah Webster seemed to inherently get the power of underplaying, and she did it brilliantly. Of course, she disappears as the whole mess grinds down, ceding the screen to the boys.

The coda at the end was indeed touching - but not in the way the director(s) may have intended. Actual (?) mentally disabled clients in treatment were shown in a therapy group as the credits rolled -- they were sweet and fascinating, but they were being used - hard - in a commercial film, as a career move by a millionaire actor.

Also, for a story trading so freely in the Queens, NY milieu - the sudden emergence of a large haunted house fun park, setting for a pointlessly violent beating of one of the few interesting characters, followed by giving him a huge dose of LSD -- was ridiculous. Not gritty, just cruel & pointless.

I debated a few seconds between a 2 or 3 rating -- but honesty won out. It's a 2.


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