After a botched bank robbery lands his younger brother in prison, Connie Nikas embarks on a twisted odyssey through the city's underworld in an increasingly desperate-and dangerous-attempt to get his brother Nick out of jail.
A traumatized veteran, unafraid of violence, tracks down missing girls for a living. When a job spins out of control, Joe's nightmares overtake him as a conspiracy is uncovered leading to what may be his death trip or his awakening.
Set over one summer, the film follows precocious six-year-old Moonee as she courts mischief and adventure with her ragtag playmates and bonds with her rebellious but caring mother, all while living in the shadows of Walt Disney World.
Motivated by an almost ferocious love for his intellectually disabled brother, Nick, and an explosive mix of desperation and thirst for a better life, the abrasive and fledgeling criminal, Connie, involves his sibling in an ill-conceived bank robbery that swears to be a quick and easy job. Instead, things go utterly wrong, and Nick will wind up in Rikers Island after one unanticipated complication, forcing the desperate but determined Connie to embark on a nightmarish, no-holds-barred quest to bail Nick out. Inevitably, over the course of a long and violent night, Connie will go to great lengths to save Nick from a cruel fate, doomed, however, to do more harm than good. Is it all heading somewhere?Written by
Josh Safdie on deleted scenes: "One of the deleted scenes from the film was a small one. A solemn moment where Connie dyes his hair in Crystals' bathroom. It dragged the film down... so it was cut. But there was something great going on with it. This grown man trying to bleach his hair in an attempt to blend in. In the scene, Crystal knocks on the door and he pauses. That was the reason we ditched it. We didn't like their first interaction to be awkward in that way." See more »
During the flashback scene outside White Castle, the acid-buying complainer is shown running along a street and then entering a cab. The street has red colored crosswalks (or bicycle paths) and the cab is green and white. Neither the red path nor any green and white cabs are found in New York City, let alone the Queens, New York area where the film takes place. See more »
Written by Sam Ray Mosley and Robert Augusta Johnson
Performed by Mosley & Johnson
Courtesy of Malaco Records O/B/O Muscle Shoals Records
Published by Peermusic III, LTD. on behalf of itself, Malaco Music Co., and Back Scat Publishing Co. See more »
If I could ever experience what it's like to be a neon light inside a crowded nightclub, I imagine it would feel a lot like watching Good Time.
This movie exudes intensity, electricity, and neonicity (not a real word, just roll with it). The opening scene provides the movie's blandest color scheme, but it's serious and compelling and important, so pay attention.
From there, the movie leaps fearlessly into a techno blasting, adrenaline surging, rush of mayhem and terrible decision making. Two brothers rob a bank, run from the police, and one ends up in the hospital. Then it gets worse.
Constantine (played by Robert Pattinson, in a career-making performance) lives a life of dysfunction. He struggles to maintain healthy relationships with family or friends or anyone. The one thing in his life that he's sure of is that he wants to take care of his brother, who has intellectual disabilities. He spends a majority of the film frantically (frantic accurately describes the mood for most of Good Time) attempting to save his brother from the trouble that he put him in. The problem is that Constantine can't even properly take care of himself, so helping his brother is far beyond his abilities.
Try as he may, every attempt to help backfires. Despite Constantine's good intentions, he is a powerfully negative influence in his brother's life. He sees himself as his brother's savior, but that's very far from the truth.
It's tempting to sympathize with Constantine. He has real moments of decency. But just when you may think this isn't such a bad guy, he showcases another instance of unsavory behavior. That seems to be the story of his life—fleeting moments of hope, followed by swift slaps of grim reality that are mostly brought on by his own doing.
In the end, his brother, Nick, becomes the more likable character. We want what is best for Nick, just like Constantine does. Because of this shared goal, I want Constantine to succeed. I have never rooted harder for a character that I didn't really want to root for. That's all because of Nick.
Since this is sounding deeply dramatic, let me reiterate, this isn't a plodding sob story. The frantic pace, ludicrously rousing music and color scheme will make your eyes bug out and your hair stand up. Actually, you may literally stand up at certain moments because of the intensity.
See Good Time if you're up for an intense crime thriller. Just don't forget to think while watching. There's more to this movie than neon and techno.
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