Set over one summer, the film follows precocious six-year-old Moonee as she courts mischief and adventure with her ragtag playmates and bonds with her rebellious but caring mother, all while living in the shadows of Walt Disney World.
Motivated by an almost ferocious love for his intellectually disabled brother, Nick, and an explosive mix of desperation and thirst for a better life, the abrasive and fledgeling criminal, Connie, involves his sibling in an ill-conceived bank robbery that swears to be a quick and easy job. Instead, things go utterly wrong, and Nick will wind up in Rikers Island after one unanticipated complication, forcing the desperate but determined Connie to embark on a nightmarish, no-holds-barred quest to bail Nick out. Inevitably, over the course of a long and violent night, Connie will go to great lengths to save Nick from a cruel fate, doomed, however, to do more harm than good. Is it all heading somewhere?Written by
Robert Pattinson and Benny Safdie worked in-character at a car wash in Queens for a camera test and as part of the preparation for their brother relationship. Pattinson would go as Connie to show Nick how to function and be a part of normal society by drying the cars. Nick would get distracted from work and did things like pulling off other people's windscreen wipers. Connie would get frustrated and angry at Nick for not being able to do a normal job. See more »
During the flashback scene outside White Castle, the acid-buying complainer is shown running along a street and then entering a cab. The street has red colored crosswalks (or bicycle paths) and the cab is green and white. Neither the red path nor any green and white cabs are found in New York City, let alone the Queens, New York area where the film takes place. See more »
"I think something very important is happening and it's deeply connected to my purpose." Connie (Robert Pattinson)
The depth in the heist-gone-wrong Good Time is the way the director brothers Safdie take us through the seedy side of NYC and the fraught love between Connie and his mentally disabled brother, Nick (Benny Safdie). These two are not bright enough to carry off a heist, proved by Connie's clumsily eluding NYPD and continuing to search for a pot of gold that will give him and his brother the peaceful life they are not meant for.
Here is a heist movie with a heart and enough cinematic savvy to make it an instant classic.
Steinbeck's Of Mice and Men lingers behind the devoted brothers, and Martin Scorses's Mean Streets and Sidney Lumet's Dog Day Afternoon provide the paradigm for clueless hoods confronting the underlife in their daily lives. In fact, interesting characters like mothers and minorities dance out of scenes almost as fast as they enter. Yet naturalism pervades the proceedings as different lowlifes and poor minorities come and go the way they would in NYC at night in the world of thieves and good but poor people.
Corey Ellman (Jennifer Jason-Leigh) is Connie's sometime girlfriend, who supplies money and hope for a vacation to Puerto Vallarta, neither of which is destined to happen. The actress is so fine, as she always is in indies, that her vanishing seems normal under the circumstances and lamentable for the audience.
Sequences such as the mayhem in an amusement park and a hospital teeter on the surreal while the frenetic action continues apace. The directors are geniuses with the close-ups, perhaps the dominant proxemic of the film. Much credit must go to Sean Price Williams' cinematography, which could have been the standard jittery hand held if it weren't so elegantly moving the characters through the night with frenetic abandon and inevitable doom.
Rob Pattinson has come a long way from the Twilight series, being the actor I am sure he wanted to be beyond his somber character in the famous series. Pattinson is the center of the action, withstanding the tyranny of the close up and a character so crazy with love for his brother that we root for Connie although he's a small-time hood without a real plan.
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