The Sense of an Ending (2017)
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- PG-13
- 1h 48min
- Drama, Mystery
- 10 Mar 2017 (USA)
- Movie
A man becomes haunted by his past and is presented with a mysterious legacy that causes him to re-think his current situation in life.
Director:
Writers:
Award:
- 1 win.
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Complete, Cast awaiting verification
| Jim Broadbent | ... |
Tony Webster
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| Charlotte Rampling | ... |
Veronica Ford
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| Harriet Walter | ... |
Margaret Webster
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| Michelle Dockery | ... |
Susie Webster
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| Matthew Goode | ... |
Mr. Hunt
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| Emily Mortimer | ... |
Sarah Ford
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| James Wilby | ... |
David Ford
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| Edward Holcroft | ... |
Jack Ford
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| Billy Howle | ... |
Young Tony
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| Freya Mavor | ... |
Young Veronica
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| Joe Alwyn | ... |
Adrian Finn
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| Peter Wight | ... |
Colin Simpson
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Hilton McRae | ... |
Alex Stuart
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Jack Loxton | ... |
Young Colin Simpson
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| Timothy Innes | ... |
Young Alex Stuart
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| Andrew Buckley | ... |
Adrian Junior
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| Karina Fernandez | ... |
Eleanor Marriott
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| Nick Mohammed | ... |
Postman Danny
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Charles Furness | ... |
Ben Ryder
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| Guy Paul | ... |
Andrew
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| Oliver Maltman | ... |
Shop Customer
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| David Horovitch | ... |
Headmaster
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| Alexa Davies | ... |
Receptionist
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Evelyn Duah | ... |
Nurse Emma
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| Manjinder Virk | ... |
Medical Staff
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| Dorothy Duffy | ... |
Bartender
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| Kelly Price | ... |
Café Waitress
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Carol King | ... |
NCT Teacher
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Beth Cleveley-Hutchinson | ... |
NCT Couple
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Joyia Fitch | ... |
NCT Couple
(as Joy Fitch)
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Graham Evans | ... |
Adrian Junior's Group
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Imogen Roberts | ... |
Adrian Junior's Group
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Phillip Yeboah | ... |
Adrian Junior's Group
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Nathan Babb | ... |
Adrian Junior's Group
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Harvey Waterman | ... |
Adrian Junior's Group
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| Rest of cast listed alphabetically: | |||
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Owen Armstrong | ... |
Student (uncredited)
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Gregor Babic | ... |
Security Guard (uncredited)
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Tashann Barnett | ... |
National Theatre Waitress (uncredited)
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| Gintare Beinoraviciute | ... |
Guest (uncredited)
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| Mark Brent | ... |
Steve (uncredited)
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| Bern Collaço | ... |
Passerby (uncredited)
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| Paul Croft | ... |
Man by River (uncredited)
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Leigh Dent | ... |
Hospital Receptionist (uncredited)
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Laraine Dix | ... |
Lady by Riverbank (uncredited)
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Bron James | ... |
Student (uncredited)
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Attila G. Kerekes | ... |
Pie & Mash Guest (uncredited)
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Lachlan Moyle | ... |
Senior Master / court clerk (uncredited)
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Marcus Payne | ... |
Adrian's Flatmate (uncredited)
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Charlie Richards | ... |
Teacher (uncredited)
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Tamara Sharpe | ... |
Party Goer (uncredited)
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Marco Staines | ... |
6th Form Student (uncredited)
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Rory Wilson | ... |
Student (uncredited)
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Directed by
| Ritesh Batra | ||
Written by
| Julian Barnes | ... | (novel) |
| Nick Payne | ... | (adaptation) |
| Nick Payne | ... | (screenplay) |
Produced by
| Glen Basner | ... | executive producer |
| Joanie Blaikie | ... | co-producer |
| Ben Browning | ... | executive producer |
| Christine Langan | ... | executive producer |
| Sarada McDermott | ... | co-producer |
| Norman Merry | ... | executive producer |
| Milan Popelka | ... | executive producer |
| Ed Rubin | ... | producer |
| Aaron Ryder | ... | executive producer |
| David M. Thompson | ... | producer |
| Ed Wethered | ... | executive producer |
Music by
| Max Richter | ||
Cinematography by
| Christopher Ross | ||
Film Editing by
| John F. Lyons | ||
Editorial Department
| James Barham | ... | first assistant editor |
| Linden Brownbill | ... | post production engineer |
| William Chetwynd | ... | on-line editor |
| James Clarke | ... | head of di |
| Alastair Crees | ... | rushes runner |
| Katie Croft | ... | digital intermediate assistant |
| Lisa Jordan | ... | facility director: Lipsync Post |
| Josh Kelly | ... | digital lab operator |
| Abigail McKenzie | ... | digital intermediate producer |
| Alexandra Montgomery | ... | post production delivery |
| Ben Ryder | ... | Directors Assistant |
| Jamie Welsh | ... | colorist |
Casting By
| Nina Gold | ||
Production Design by
| Jacqueline Abrahams | ||
Art Direction by
| Max Klaentschi | ||
Costume Design by
| Odile Dicks-Mireaux | ||
Makeup Department
| Adele Firth | ... | makeup artist |
| Line Kolaasaeter | ... | hair supervisor / makeup supervisor |
| Jane McBennett | ... | makeup trainee: Creative Skillset |
| Nadia Stacey | ... | hair designer / makeup designer |
| Cassi Brookes | ... | daily makeup artist (uncredited) |
| Kirsty Nichol | ... | assistant makeup artist (uncredited) |
| Emma Romans | ... | makeup artist (uncredited) |
Production Management
| Shuna Frood | ... | post-production supervisor |
| Karl Liegis | ... | production manager |
Second Unit Director or Assistant Director
| Maria Aguilar | ... | cast pa |
| Daisy Baldry | ... | crowd second assistant director |
| Samuel Martin Cook | ... | additional third assistant director: crowd |
| Sekani Doram | ... | third assistant director |
| Kevin Hasham | ... | trainee set pa |
| Olivia Lyth | ... | floor runner |
| Sarah MacFarlane | ... | second assistant director |
| Toni Staples | ... | first assistant director |
| Matthias Wood | ... | trainee floor runner |
Art Department
| Alex Abelman | ... | carpenter |
| Jasmin Backshall | ... | assistant art director |
| Greg Bradlaugh | ... | graphics assistant |
| Steve Clark | ... | carpenter: dailies |
| Noel Cowell | ... | property master |
| Ruta Daubure | ... | art department assistant / graphic designer |
| Kevin Day | ... | standby props |
| Ian Griffin | ... | stand-by props |
| Toby Harvard | ... | storyboard artist |
| Jane Henwood | ... | production buyer |
| Jake Hovell | ... | dressing props: daily |
| Kez Keyte | ... | dressing props |
| Sara Knight | ... | scenic painter |
| Justyna Krawczyk | ... | assistant buyer |
| Cliff Lim | ... | dressing props: daily |
| Douglas Parsons-Perfilli | ... | dressing props trainee |
| Antoine Robin | ... | construction manager |
| Dean Spicksley | ... | carpenter |
| Grace Taylor | ... | work experience |
| Barney Ward | ... | dressing props |
| Emily Woodward | ... | standby art director |
| Viera Zvonarova | ... | art department coordinator |
Sound Department
| Liam Cotter | ... | second assistant sound |
| Ben Cross | ... | foley mixer & editor |
| Robert Farr | ... | re-recording mixer |
| Paul Hanks | ... | foley artist |
| Michael Kaczmarek | ... | sound designer |
| Mitch Low | ... | production sound mixer |
| Stephane Malenfant | ... | first assistant sound |
| Tushar Manek | ... | assistant re-recording mixer |
| Ben Tat | ... | dialogue editor |
| Simon Trundle | ... | Foley Mixer and Editor |
| Ian Waggott | ... | foley artist |
| Guillaume Jacquart | ... | french dubbing mixer (uncredited) |
Special Effects by
| Scott MacIntyre | ... | special effects supervisor (as Scott McIntyre) |
| Eddy Popplewell | ... | special effects technician |
Visual Effects by
| Tim Barter | ... | visual effects supervisor |
| Belinda Cumming | ... | visual effects coordinator |
| Paul Driver | ... | visual effects producer |
| James Elster | ... | digital compositor |
| Jay Murray | ... | compositor |
| Andy Quinn | ... | digital compositor |
Stunts
| Gillian Aldam | ... | stunt performer |
| Paul Kennington | ... | stunt coordinator |
Camera and Electrical Department
| Anthony Bagley | ... | digital imaging technician |
| Theo Berman | ... | a camera first assistant camera |
| Paul Berry | ... | standby rigger |
| Tom Carpenter | ... | camera trainee |
| David Churchyard | ... | first assistant camera: "b" camera |
| Chris Cole | ... | grip assistant |
| Warwick Drucker | ... | key grip |
| Jaime Fletcher | ... | electrician |
| Callum Grant | ... | vt operator |
| Darren Harvey | ... | best boy |
| Lee Howarth | ... | standby rigger |
| Mark Langlay-Smith | ... | vt operator |
| Iain MacKay | ... | b camera and steadicam operator (as Iain Mackay) |
| Seán McDermott | ... | second assistant camera: "a" camera (as Sean McDermott) |
| Oliver Poole | ... | electrician |
| Georgia Quilliam | ... | camera trainee: dailies |
| Anastasia Romanchuka | ... | camera trainee (as Anastasia Romanchucka) |
| Beau Scott | ... | b camera 2nd assistant |
| Edd Smith | ... | electrician |
| Jonathan Spencer | ... | gaffer |
| Gary Thornhill | ... | practical electrician |
| Robert Viglasky | ... | still photographer |
| Oliver Whickman | ... | electrician |
Casting Department
| Vanessa Baker | ... | adr voice casting |
| Sally King | ... | child crowd casting |
| Theo Park | ... | casting associate |
| Douglas Williams | ... | extras casting |
Costume and Wardrobe Department
| Charlotte Ashworth | ... | costume trainee |
| Ellen Crawshaw | ... | assistant costume designer |
| Anthony Drewett | ... | crowd costume fitter |
| Alison Lewis | ... | costume buyer/principle standby / costume supervisor |
| Olivia Hulme | ... | costume assistant |
| Yanika Waters | ... | costume assistant |
| Elizabeth Webb | ... | costume trainee |
Location Management
| Marie Allcorn | ... | location coordinator |
| Cornelius Morpeth | ... | location assistant |
| Karen Smith | ... | location manager |
| Elena Vakirtzis | ... | assistant location manager |
| Adriene Whitwell | ... | assistant location manager (as Adriene Whitewell) |
Music Department
| Rachel Bolt | ... | viola |
| Sarah Bridge | ... | music supervisor |
| Rupert Coulson | ... | score engineer and mixer |
| Dave Foster | ... | orchestrator |
| Henning Fuchs | ... | composer assistant |
| Pru Miller | ... | music licensing |
Script and Continuity Department
| Jemima Thomas | ... | script supervisor |
Transportation Department
| Nick Bramston | ... | unit driver |
| Michael Geary | ... | action vehicle supplier: Motorhouse |
| Stuart McNicholas | ... | camera car driver |
Other crew
| Jacqui Barr | ... | marketing executive |
| John Bestall | ... | unit driver |
| Nick Bramston | ... | unit driver |
| Joe Cox | ... | set pa |
| Leanne Fairbrother | ... | production coordinator |
| John Fillingham | ... | Health & Safety |
| Maria Fleischer | ... | assistant: producer |
| Jim Fyans | ... | unit driver |
| Hannah Getts | ... | assistant: executive producer |
| Alex Gordon | ... | production executive |
| Ashley Greyson | ... | marketing |
| Julia Hall | ... | Senior Designer: LipSync Design |
| Ben Hector | ... | work experience trainee |
| Elfyn Wyn Jones | ... | Assistant Accountant |
| Caroline Lawrence | ... | Assistant Co-ordinator |
| Claire Marshall | ... | development executive |
| Fry Martin | ... | production accountant |
| Andy McNamara | ... | unit driver |
| Christos Michaels | ... | legal services |
| Ali Moshref | ... | production executive: completion guarantor |
| Jill Rosen | ... | Publicity Consultant: FilmNation Entertainment |
| Ben Ryder | ... | assistant to director |
| Damian Sparks | ... | unit driver |
| Kacper Stepien | ... | action vehicle supervisor |
| Annabel Towler | ... | production assistant |
| Howard Watkins | ... | head of title design |
| Jenny Whiteley | ... | production trainee |
Production Companies
Distributors
- BIM Distribuzione (2017) (Italy) (theatrical)
- CBS Films (2017) (United States) (theatrical)
- Cinemien (2017) (Netherlands) (theatrical)
- Elevation Pictures (2017) (Canada) (theatrical)
- Longride (2018) (Japan) (theatrical)
- Lumière (2017) (Belgium) (theatrical)
- NOS Audiovisuais (2017) (Portugal) (theatrical)
- Seven Films (2017) (Greece) (theatrical)
- Shaw Organisation (2017) (Singapore) (theatrical)
- StudioCanal (2017) (Australia) (theatrical)
- StudioCanal (2017) (United Kingdom) (theatrical)
- Wild Bunch Distribution (2018) (France) (theatrical)
- Wild Bunch (2018) (Germany) (theatrical)
- Film1 (2018) (Netherlands) (tv) (limited)
- Mediasoft Films (2017) (South Korea)
- Universum Film (UFA) (2019) (Germany) (DVD)
Special Effects
- The Machine Shop (special effects)
- Lipsync Post (visual effects)
Other Companies
- Casting Collective (extras casting)
- Coach House Studios (DIT vehicle and equipment)
- Coach House Studios (LTO tape archiving)
- Fintage CAM (collection account management)
- HireWorks (Avid dx nitris)
- Isobel Griffiths Limited (orchestra contractor)
- Mad Dog 2020 (extras casting)
- Production Copier Company (production equipment and services)
- Rose TV and film catering (catering)
- Sapex Scripts (post production script services)
- Soundtrack New York (adr facility)
- Take 2 Films (camera equipment provided by)
Storyline
| Plot Summary |
Divorced and retired, Tony Webster, an aging Londoner and vintage camera shop owner, whittles down the solitude of his isolated existence by keeping an affectionate relationship with his ex-wife, Margaret, and by accompanying his nearly full-term pregnant daughter, Susie, to antenatal courses. However, the unexpected arrival of an unsettling letter will disrupt the fine balance of things in Tony's orderly life, reconnecting him with his first love from college, Veronica, and the nostalgic, yet clouded memories of a distant past. Inevitably, as Tony scavenges for bits and pieces through flashbacks, the out-of-focus picture of his youth will gradually sharpen, nevertheless, is he ready to face the truth? Written by Nick Riganas |
| Plot Keywords | |
| Taglines | Unravel the Truth. See more » |
| Genres | |
| Parents Guide | View content advisory » |
| Certification |
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Additional Details
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Did You Know?
| Trivia | At a festival screening in San Francisco, Ritesh Batra said that he had tea with Julian Barnes, author of The Sense of an Ending, ahead of filming. Batra was so nervous at meeting Barnes that he subsequently forgot most of their conversation, save for Barnes's parting line, spoken in jest: "Go ahead and betray me." See more » |
| Goofs | At the dinner scene set in the 1960s Sarah Ford (Emily Mortimer) quotes from Larkin's poem Aubade. This poem was not published until December 1977. See more » |
| Movie Connections | Referenced in Adelaide's Silver Screens (2017). See more » |
| Soundtracks | Psychotic Reaction See more » |
| Quotes |
Tony Webster:
[Voice over]
When you are young you want your emotions to be like the ones you read about in books. You want them to overturn your life and create a new reality. But as that second hand insists on speeding up and time delivers us all too quickly into middle age and then old age, that's when you want something a little milder, don't you? You want your emotions to support your life as it has become. You want them to tell you that everything is going to be okay. And is there anything wrong with that? See more » |