A young Englishman plots revenge against his late cousin's mysterious, beautiful wife, believing her responsible for his death. But his feelings become complicated as he finds himself falling under the beguiling spell of her charms.
The final Viceroy of India, Louis Francis Albert Victor Nicholas Mountbatten, 1st Earl Mountbatten of Burma (Hugh Bonneville), is tasked with overseeing the transition of British India to independence, but meets with conflict as different sides clash in the face of monumental change.
Divorced and retired, Tony Webster, an aging Londoner and vintage camera shop owner, whittles down the solitude of his isolated existence by keeping an affectionate relationship with his ex-wife, Margaret, and by accompanying his nearly full-term pregnant daughter, Susie, to antenatal courses. However, the unexpected arrival of an unsettling letter will disrupt the fine balance of things in Tony's orderly life, reconnecting him with his first love from college, Veronica, and the nostalgic, yet clouded memories of a distant past. Inevitably, as Tony scavenges for bits and pieces through flashbacks, the out-of-focus picture of his youth will gradually sharpen, nevertheless, is he ready to face the truth?Written by
At the dinner scene set in the 1960s Sarah Ford (Emily Mortimer) quotes from Larkin's poem Aubade. This poem was not published until December 1977. See more »
When you are young you want your emotions to be like the ones you read about in books. You want them to overturn your life and create a new reality. But as that second hand insists on speeding up and time delivers us all too quickly into middle age and then old age, that's when you want something a little milder, don't you? You want your emotions to support your life as it has become. You want them to tell you that everything is going to be okay. And is there anything wrong with ...
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Time Is On My Side
Written by Jerry Ragovoy (as Norman Meade)
Performed by Irma Thomas
Published by TRO Essex Music Led.
Licensed courtesy of Capitol Redords
Under license from Universal Music Operations Ltd. See more »
Based on the Booker Prize-winning novella by Julian Barnes (which I have read), inevitably this film adaptation is different from the original work. The structure of the book was a section of the (unreliable) narrator's time at school and university followed by the present day coming to terms with revelations of that earlier period. The film is set in the present with lots of flash-backs to the past and that works well.
More questionably, the movie version of "The Sense Of An Ending" has a different ending which is not that of the author Julian Barnes or even that of the scriptwriter, the playwright Nick Payne, but essentially that of the director, Indian film-maker Ritesh Batra (who made the delightful work "The Lunchbox"). The film offers us a conclusion which is more definitive and more upbeat that the novel but that is perhaps the nature of this different medium.
"The Sense Of An Ending" is slow and serious but not all films can be "Fast And Furious". The pacing allows the viewer to admire the wonderful acting, primarily from Jim Broadbent as the narrator, retired and divorced Tony Webster, but also from some fine actresses, notably Charlotte Rampling, Harriet Walter and Emily Mortimer, plus some new young actors.
Like the source novel, this film is a challenging and moving examination of the malleability of memory. As Tony puts it: 'How often do we tell our own life story? How often do we adjust, embellish, make sly cuts?' How often indeed ...
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