A bounty hunter learns that his next target is his ex-wife, a reporter working on a murder cover-up. Soon after their reunion, the always-at-odds duo find themselves on a run-for-their-lives adventure.
Follows the lives of different mothers on Mother's Day. Sandy (Aniston) is happily divorced until she learns that her ex-husband eloped with a much younger woman. Now she must learn to deal with big changes in her life as her two boys now have a stepmom. Sisters Jesse (Hudson) and Gabi (Chalke) get an unexpected surprise from their mother, who is not happy to find out Gabi is a lesbian and Jesse is married to a man of color. Miranda (Roberts) has no kids and is focusing on her career. Kristin (Robertson) is enjoying life as a new mother but feels pressure from her boyfriend to get married. Bradley (Sudeikis) is trying hard to be the best parent for his two girls since their mom passed away last year, but he wants to pretend that Mother's Day doesn't exist.Written by
There is a demographic that will relate to this film: Females who are (or somehow wish they were) moms and who have lives enhanced by cheap daytime soaps and cheap paperback romance fiction novelettes. And, who don't mind a script that challenges a sophomore writing class (that's like the HS one) for stereotypic blandness; a dialogue seldom exceeding seven words (with lots of head shot panning back and forth and ) and repetitive plasticized robotic acting. Plot: Predictable buffet of female family situations. I knew before watching they would have Aniston in a sweating jogging or workout scene - yep. Usual preteen and teen issues. What subsequent scene always shows up when a vending machine fails to drop your snack? Yep again, someone tries to stick their arm up. That is creative writing?? The whole movie imitates that vending scene. Directing/editing: See somewhere in the above. Setting: White suburbias (as in plural many times over).
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