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2:24 | Trailer
A grandfather, a priest, and a police officer investigate the case of a kidnapped child.

Director:

Ribhu Dasgupta

Writers:

Bijesh Jayarajan (screenplay), Geun-seop Jeong (story by: based on Korean film "Montage") (as Chung Keun-Sup) | 2 more credits »
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Cast

Credited cast:
Amitabh Bachchan ... John Biswas
Nawazuddin Siddiqui ... Martin Das
Vidya Balan ... Sarita Sarkar
Mukesh Chhabra ... Tariq
Sabyasachi Chakraborty ... Manohar Sinha
Suneel Sinha
Prakash Belawadi ... Kumar
Tota Roy Chowdhury Tota Roy Chowdhury ... Peter
Padmavati Rao ... Nancy
Paritosh Sand Paritosh Sand ... ACP
Deblina Chakraborty Deblina Chakraborty ... Neeta
Ardhendu Banerjee ... Police Commissioner
Sumit Samaddar Sumit Samaddar ... Cop #7
Aarnaa Sharma Aarnaa Sharma ... Angela Roy
Anupam Bhattacharya ... Manohar Sinha son in law
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Storyline

John Biswas is a broken man. His life was destroyed when his precious granddaughter was kidnapped and murdered. Likewise, Martin Das, the investigating police officer, was so shaken by the case that he quit the force and turned to the priesthood. Now, eight years later, a young boy is kidnapped and police detective Sarita Sarkar sees similarities in the two cases. As a trail of clues leads John into the past, Fr. Martin and Sarita race to save the young boy. Written by L. Hamre

Plot Summary | Plot Synopsis

Plot Keywords:

based on film | suspense | See All (2) »


Certificate:

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Parents Guide:

View content advisory »
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Details

Official Sites:

official site

Country:

India

Language:

Hindi

Release Date:

10 June 2016 (USA) See more »

Also Known As:

Three See more »

Filming Locations:

Kolkata, West Bengal, India

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Box Office

Opening Weekend USA:

$258,066, 12 June 2016, Limited Release

Gross USA:

$258,066, 12 June 2016
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

Amitabh Bachchan's name in this movie is John. He previously had his character name John in the film Destiny and Fate (1981). See more »

Connections

Remake of Mong-ta-joo (2013) See more »

Soundtracks

Grahan
Written by: Amitabh Bhattacharya
Produced by: Clinton Cerejo
Performed by: Vishal Dadlani
See more »

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User Reviews

 
The plot of this Big B, Nawazuddin starrer has too much fuzz
10 October 2016 | by kumarvarun1989See all my reviews

Remember that reasonably engrossing Hollywood thriller Se7en, in which two sleuths go looking for a serial killer with a thing for the seven deadly sins?E3N gimmicks its name similarly and gives us three characters in search of a criminal, but it doesn't borrow any of the smarts from the Hollywood film. This official remake of a Korean mystery with a kidnapping and a death at its heart is a sluggish drag for the most part, brightened only occasionally by a scene or a line.Bachchan plays John, an elderly man still stunned by grief, eight years after the death of a little girl. He will continue to search for the person who caused it, despite being dissuaded by people all around him : wheelchair-bound wife ( Padmavati Rao), sympathetic policewoman Sarita ( Balan), and cop-turned-priest Father Martin ( Nawaz). He will persist with his dogged pursuit for justice and truth whatever happens. A fresh kidnapping turns on the spotlight on the old case again, and as new clues come to light, John's search acquires an intensity and purpose, and we sense, as he does, the coming of an end which will lead to some answers and a sort of peace.This kind of dark story with vicious undertones ( whenever a little girl goes missing, a shiver goes down your spine) could have become a terrific morality play. How does a shocking death, especially of a young life, impact the living? Is it living or a counting out the days till your own passing? Is grief something you can ever get past? And how does guilt play out in all this? TE3N is a case of sadly missed opportunities. Because there are rousing actors in here, and there's a real city to play it all out in. Kolkata is a perfect location for a film like this with its atmospheric patches and the iconic Howrah-Hoogly vistas, reminding you of producer Sujoy Ghosh's far more engaging 'Kahaani', but how a man clad in a dark hoody ( in sultry Kolkata) manages to move around those streets so freely remains an unsolvable mystery.

Its treatment does both place and characters in, turning everything lackadaisical. In its attempt to be less 'dark', loud background music is added in at each step. The plot has too much fuzz, and the characters are all surface : Bachchan's droopy facial lines, Balan's stolid-cop-stomping—these painstakingly drawn outlines call attention to themselves, but do not afford us inner details. Why is her full-fledged act termed a guest appearance? That mystery too stays unsolved. Only Nawaz's guilt-ridden priest breaks free once in a way, and a few red herrings infuse some intrigue, especially towards the end.


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