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Four teenagers decide to spend their summer holiday on a camping at the beach. Officially to disseminate ashes of a grandfather, but foremost to finally get laid.


Willem Gerritsen


Dirk Gerritsen (scenario), Willem Gerritsen (scenario) | 1 more credit »



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Cast overview, first billed only:
Niek Roozen Niek Roozen ... Bas
Martijn van Eijzeren Martijn van Eijzeren ... Luca
Simon Kindermans Simon Kindermans ... Daniel
Sam Doets Sam Doets ... Thijs
Sem Klarenbeek Sem Klarenbeek ... Mike
Robert Kuipers Robert Kuipers ... Roderick
Yasmin Karssing Yasmin Karssing ... Rosalie
Martijn Lavrijssen Martijn Lavrijssen ... Marcus
Ella-June Henrard ... Emmanuelle
Florence Vos Weeda Florence Vos Weeda ... Laudien
Lisa Zweerman ... Anna
Imme Steinmann Imme Steinmann ... Maaike
Carmen van Weersel Carmen van Weersel ... Lonneke
Marieke Burger Marieke Burger ... Maggie
Jorik Scholten Jorik Scholten ... Lil' Kleine (as Jorik 'Lil Kleine' Scholten)


Four teenagers decide to spend their summer holiday on a camping at the beach. Officially to disseminate ashes of a grandfather, but foremost to finally get laid.

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Official Sites:

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Release Date:

7 July 2016 (Netherlands) See more »

Also Known As:

Szexkemping See more »


Box Office


€1,540,000 (estimated)

Opening Weekend:

€106,898 (Netherlands), 10 July 2016, Limited Release
See more on IMDbPro »

Company Credits

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Technical Specs



Aspect Ratio:

2.35 : 1
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User Reviews

American Pie meets The Inbetweeners in Zeeland
12 February 2018 | by Field78See all my reviews

This is the perfect little movie for those who love raunchy sex comedies filled with hormone-driven teenagers trying to score with the girls and lose their virginity (it's basically a genre in itself these days). Of course, when these kinds of movies got popular in the US, it was only a matter of time before the Netherlands would follow. Only I hadn't expected it would take 17 years after the first American Pie, when the genre had seen its heyday long ago. That shouldn't be a reason not to enjoy it, though.

The premise is basically timeless nowadays anyway. They tried to update it a bit by including an annoying wannabe-rapper friend who only talks in street language (half of the new talents in the Netherlands are rappers these days) and also by casting Li'l Kleine (one of those famous rappers) in a small cameo. A funnier addition involves the nerdy intellectual character with his pretentious books and VR-goggles, who is just as eager to score but remains very civil about his desires. The funniest character, though, is the witless cousin who seems stuck in the 1990s, and scores with most of the embarrassing jokes.

It's mostly a one-joke movie, the joke being about four guys out of their element as a group of nerds among a beach community full of cool kids, and their attempts to score often failing painfully. It's more of a sexy comedy than a pure sex comedy, since even the more risqué jokes don't contain nudity. There are bodies and bikinis all over, but this movie is almost noteworthy for having more male skin than exposed female parts (no schlonging, though). It was probably aimed at young teenagers and we don't live in the 70s anymore, when a Dutch movie without a full frontal was almost considered prudish. The number of gags involving Farrelly-like bodily humor for which the genre is (in)famous are also quite limited, only a few jokes may cross the line between tasteful and tasteless, and the emphasis is more on witty dialogue and situation humor.

Movies like this only work when you get the feeling that the characters aren't all that bad underneath that testosteron-soaked behavior, and this movie is no exception. The casting is one of the strong points of the movie anyway, featuring almost exclusively fresh faces (except for small cameos of Li'l Kleine and Peter Faber). A special mention for the central couple consisting of straight man Niek Roozen and his object-of affection Yasmin Karssing. Two unknown actors, but they are so cute that it gives the movie a bit of heart among all the skimpy bikinis and cleavage.

One obvious complaint that could be made is that the movie doesn't really add much to the established genre. During the course of the story, it is not hard to predict the outcome, and some of the gags are quite predictable too. At the conclusion, the screenwriters threw in a rushed-through happy end with a minimum of effort, as if they knew it is part of the genre anyway, so they needn't bother with ending the conflict in an emotionally satisfying way.

That said, this movie's most redeeming quality may lie in its modest running time of a mere 77 minutes. It has a decent number of jokes, and is therefore the ideal kind of unpretentious comedy to watch when you only have about 1.5 hours to spare, with an optimal joke-to-running-time ratio.

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