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The Best of Enemies (2019)

PG-13 | | Biography, Drama, History | 5 April 2019 (USA)
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Civil rights activist Ann Atwater faces off against C.P. Ellis, Exalted Cyclops of the Ku Klux Klan, in 1971 Durham, North Carolina over the issue of school integration.

Director:

Robin Bissell

Writers:

Robin Bissell, Osha Gray Davidson (inspired by true events chronicled in 'The Best of Enemies: Race and Redemption in the New South' by)
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Cast

Cast overview, first billed only:
Taraji P. Henson ... Ann Atwater
Sam Rockwell ... C.P. Ellis
Babou Ceesay ... Bill Riddick
Anne Heche ... Mary Ellis
Wes Bentley ... Floyd Kelly
Nick Searcy ... Garland Keith
Bruce McGill ... Carvie Oldham
John Gallagher Jr. ... Lee Tromblay
Nicholas Logan ... Wiley Yates
Gilbert Glenn Brown ... Howard Clement
Caitlin Mehner ... Maddy Mays
Dolan Wilson ... Councilman Bill Atkins
Morgan Mackey ... Young Mother
Kendall Ryan Sanders ... Ben Butler
Chris Cavalier ... Leonard
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Storyline

Civil rights activist Ann Atwater faces off against C.P. Ellis, Exalted Cyclops of the Ku Klux Klan, in 1971 Durham, North Carolina over the issue of school integration.

Plot Summary | Add Synopsis

Taglines:

Change is worth fighting for.


Motion Picture Rating (MPAA)

Rated PG-13 for thematic material, racial epithets, some violence and a suggestive reference | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official site

Country:

USA

Language:

English

Release Date:

5 April 2019 (USA) See more »

Also Known As:

The Best of Enemies See more »

Filming Locations:

Atlanta, Georgia See more »

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Box Office

Budget:

$10,000,000 (estimated)

Opening Weekend USA:

$4,446,190, 7 April 2019

Gross USA:

$10,205,616

Cumulative Worldwide Gross:

$10,209,813
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

Sam Rockwell and Bruce McGill previously appeared in Matchstick Men (2003). See more »

Goofs

There is a scene at a baseball game at the start of the film where a player is shown wearing Nike branded baseball cleats, first made in 1980. See more »

Quotes

C.P. Ellis: She looked at me like I was some kind of monster.
Mary Ellis: What did you expect?
See more »

Soundtracks

A Whiff of Perfume
Written by Werner Tautz
Courtesy of Extreme Music
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User Reviews

 
a feel good look at a moment in history
5 April 2019 | by ferguson-6See all my reviews

Greetings again from the darkness. It's easy to complain (and many do) about how Hollywood usually explores racism. Sometimes the stories seem a bit over-simplistic, as with THE HELP, GREEN BOOK, and HIDDEN FIGURES; however, rather than criticize, perhaps we should be thankful for any effort to prod. Often getting the conversation started is the best first step. That's really the message from Robin Bissell's directorial debut of a script he adapted from Osha Gray Davidson's 1996 book "The Best of Enemies: Race and Redemption in the New South". Mr. Bissell has previously been Executive Producer on THE HUNGER GAMES and SEABISCUIT, and Mr. Davidson's book was previously adapted for a stage production.

Based on a true story that took place in 1971 Durham, North Carolina, the film portrays the remarkable events that led to the integration of public schools and a stranger-than-fiction friendship. Taraji P Henson stars as Ann Atwater, an African-American activist and community organizer, while Sam Rockwell co-stars as Claiborne "CP" Ellis, the Exalted Cyclops (basically the Chapter President) of the Ku Klux Klan. It seems the previous stranger-than-fiction description is aptly applied here when an aggressive black woman known as "Roughhouse Annie" can effectively sway the long ingrained beliefs of a KKK leader, and forge a friendship that would last 3 decades.

A school fire that partially gutted the elementary school attended by the black children in the community was the proverbial spark that kicked off the chain of events. When the white folks refused to share their school, the black children were forced to hold classes in the areas least affected by the fire ... while demolition and renovation was being carried out. This led to the NAACP getting involved, which resulted in a judge ordering a "Charrette" - a blend of a committee and a civic debate - to determine how the community would move forward. Bill Riddick (Babou Ceesay, FREE FIRE, 2016) was charged with organizing the Charrette, and he named Ms. Alexander and Mr. Ellis as co-chairs. Keep in mind this was 17 years after Brown vs. Board of Education ruled in favor of school desegregation, but many pockets of the south were slow to come around.

The story structure offers synchronicity between the lives of Alexander and Ellis, as they each struggle with poverty and family challenges. It's just one of the ways of trying to show they were more alike than different, and much more of the time is devoted to how the transition slowly occurs for Ellis. Of course, even though each side dislikes the other, it's Ellis whose eyes must be opened as he clings to the only way of life he's known. Because of this, Mr. Rockwell has the meatier role, but it's Ms. Henson (and her fat suit) who draws the most laughs and nods of approval from the audience.

As you would expect, it's a strutting Mr. Rockwell and boisterous Ms. Henson that dominate the film, however, some tremendous actors fill the supporting roles: Wes Bentley (as a Confederate soldier hat-wearing Klansman), Anne Heche (as Ellis' wife), Nick Searcy, Bruce McGill, John Gallagher Jr, and Caitlin Mehner.

The film is a most entertaining (though a bit lightweight) look at an historic chain of events, and it's right up there with a black cop infiltrating the Klan in Spike Lee's 2018 film BLACKkKlansman for believe-it-or-not points. In 1980, Studs Terkel conducted an interview with Mr. Ellis, and it's worth a read to gain a bit more insight into a man that truly changed his evil ways. The ending of this film leans heavily on the "feel-good" and "can't we all just get along" approach, and maybe that's not such a bad thing. The end credit sequence features some tremendous clips of the real Ms. Alexander (who died in 2016) and Mr. Ellis (who died in 2005), making it a bit easier to understand how the two opposites connected for the greater good.


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