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A Dark Song (2016)

Unrated | | Drama, Fantasy, Horror | 28 April 2017 (USA)
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A determined young woman and a damaged occultist risk their lives and souls to perform a dangerous ritual that will grant them what they want.

Director:

Liam Gavin

Writer:

Liam Gavin
6 wins & 4 nominations. See more awards »

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Cast

Cast overview, first billed only:
Steve Oram ... Joseph Solomon
Catherine Walker ... Sophia
Susan Loughnane Susan Loughnane ... Victoria
Mark Huberman ... Neil Hughes
Nathan Vos Nathan Vos ... Jack
Martina Nunvarova Martina Nunvarova ... Guardian Angel
Breffni O'Connor Breffni O'Connor ... Emaciated Man
Sheila Moloney Sheila Moloney ... Old Woman Demon
Ruby Kearns Ruby Kearns ... Demon
John Carton John Carton ... Demon
Aaron O'Neill Aaron O'Neill ... Demon
Ann Mulvany Ann Mulvany ... Demon
Daniel McConnell Daniel McConnell ... Demon
Jim Dolan Jim Dolan ... Demon
John Cantillion John Cantillion ... Demon
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Storyline

Sophia Howard rents a house in the countryside of Wales and hires the occultist Joseph Solomon to contact her son that was kidnapped and murdered by teenagers practicing black magic. Along the days, Sophia follows the guidance of Solomon in rituals to purify her soul. However Sophia has a hidden agenda that jeopardizes their lives. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Add Synopsis

Taglines:

Not everything can be forgiven


Certificate:

Unrated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

Ireland | UK

Language:

English | French | German

Release Date:

28 April 2017 (USA) See more »

Also Known As:

Mračna pjesma See more »

Filming Locations:

Dublin, Ireland

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Color:

Color

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

(~01:39:41) Filmed on location in Ireland. See more »

Quotes

Joseph Solomon: You've been looking shit up on the Internet. No, this is Gnosticism.
Sophia Howard: I was told it was based on the Kabbalah.
Joseph Solomon: It's there as grammar. A structure. The Kabbalah is an exploration of god. We're doing something much darker...
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User Reviews

 
The Devil really is in the Details
29 April 2017 | by A_Different_DrummerSee all my reviews

This writer has always felt that the job of a reviewer was not merely to whine and prattle about what does (or does not) happen on screen, but rather to try to introduce the film to the discerning viewer in a way which assists the decision as to whether to see it ... or not? It is projects like Dark Song, however, that make such a simple ambition seem ever so complex.

For starters, I will suggest that the best (and most recent) analog I can name is the excellent 2016 Autopsy of Jane Doe. Both films are clearly of the horror genre, both films work their magic by confining two strong personalities (and superb actors) in a confined space, and both films follow the Prime Directive of possibly every horror film ever made, namely "whatever can go wrong will go wrong."

But that's where the similarities end. Autopsy of Jane Doe is merely a solid and workmanlike exposition of a clever, entertaining, theme. Dark Song is simultaneously the debut of a writer/director with a distinct, clear and uncommon "voice"; and, at the same time, a horror tale so intricately involved with the minutiae, the moment-to-moment, of true ritual magic (is there any other kind?) that at times you almost, just for a split second, wonder if you are watching a reality show instead of a fictional drama?

No small feat, that. Especially from a country that can lay legitimate claim to having produced one of the only genuine, verified, ritual occultists in western history (Aleister Crowley). To watch a film like this aware that there are individuals who literally dedicate their lives to such practices takes the viewer to new levels of awareness ... and terror.

The end result is something about as distant from the dozens of currently popular "found footage" films ... as the earth is from the moon.

Plainly put, to appreciate this film, to drink in and savour every nuance, the viewer himself (or herself) must be willing to commit to the movie to the same extent that the central characters commit to the core ritual.

That is to say, lock yourself in, don't leave your seat, and, whatever happens, do not break the circle of salt.

If you do all that, you may not get to meet an "angel" willing to grant your special boon, but you will get a film experience you will likely never forget.


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