'Crossing Rachmaninoff' is the story of one man's journey to redemption through Rachmaninoff's Piano Concerto No. 2. Italian-born Flavio Villani is preparing for a performance that will confirm his arrival as a concert pianist and vindicate his decision to be a musician. This film introduces Flavio in Auckland as he grapples daily with Rachmaninoff's challenging work. It explores the single-minded commitment necessary to become a concert pianist, exposes the professional challenges he must overcome and reveals Flavio's true commitment as he prepares the very piece that proved Rachmaninoff as a composer. We travel with Flavio to Italy to meet the family who once struggled with their son's homosexuality and discouraged him from a life in music. His first rehearsals with the Orchestra Filarmonica della Calabria reveal up-close the dynamics of orchestral musicians and those who play with them. Flavio must negotiate all of this to become accepted in the classical music community and truly ...
Some disparaging commenters have called Flavio Villani a mediocre talent who is the subject of a documentary on his effort to play Rachmaninoff's Second Concerto with a symphony orchestra.
It takes a snide and cowardly person to label Villani anything but brave and courageous to make such an effort. To tackle that difficult and breathtaking piece of music in a concert is like throwing a touchdown pass at the Super Bowl.
And, the sports metaphor certainly applies to Villani who came late to music-but found himself challenged and gripped by becoming a pianist of classical order. He left his native Italy and went to study in New Zealand at age 26.
His efforts are documented in this little film that shows him walking on the beach, admiring nature, cooking, and living a normal middle-class life while he ruminates on the power of Rachmaninoff's intimidating piano composition.
We see him practice alone, practice with a second piano, and prepare for this first attempt to play with a symphony. It is daunting, and he is committed. A gay man, alienated by both classical music and his personal life, he is a man in exile in New Zealand. He returns home triumphantly, reconciling with his family before the big concert.
We see and hear snippets of the First Movement and almost the entire Third Movement on the big night. Whether he made a single mistake or several, we might never know, so complex is the concerto. The music is staggering, dramatic, and ultimately a melodious work of genius. He acquits himself admirably.
If you have never heard this concerto, you have missed one of the great experiences of life.
If someone without as much passion and heart want to knock his efforts, they reflect on their own base misunderstanding of the human condition.
This little story of one person's integrity and decency is a beacon in the dark world of today's inhumanity.
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