Twelve years after the tragic death of their little girl, a doll-maker and his wife welcome a nun and several girls from a shuttered orphanage into their home, where they become the target of the doll-maker's possessed creation, Annabelle.
A prequel set before the haunting of the Lambert family that reveals how gifted psychic Elise Rainier reluctantly agrees to use her ability to contact the dead in order to help a teenage girl who has been targeted by a dangerous supernatural entity.
A man called Paul is working after hours and is murdered by a supernatural entity in the shadow. When his son, the boy Martin, is frightened by the same creature, he sees his mother Sophie talking to an imaginary friend called Diana in the shadow of her room. Martin does not sleep anymore during the night. His older step sister Rebecca who lives alone is summoned by the social assistant. She brings Martin home and recalls her own experience with Diana years ago when she was young. Rebecca and her boyfriend Bret investigate the connection of Sophie with Diana and come up to a scary revelation about their past.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Diana was created with a photorealistic prosthetic suit that could also function as a green screen suit so as to remove her from the scene when the lights came on. The designer of the suit previously created the title character of Mrs. Doubtfire (1993). See more »
The condition Diana has is called Xeroderma pigmentosum, which makes the skin hyper sensitive to the Ultraviolet rays of the light. But in the movie we see Diana being okay with Blacklight/Pure UV light. UV light should be rather more dangerous to her with that condition than normal light. See more »
[on video call]
Hey, Dad. Are you coming home soon?
Yeah, uh, in an hour or so. What's up? Where's Mom?
I don't think she's feeling good.
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No person or entity associated with this film received payment or anything of value, or entered into an agreement, in connection with the depiction of tobacco products. See more »
Giving it a back story and more detail made it feel cheapened.
It wasn't until I checked the credits that I realized this was based off of the short film by David F. Sandberg. I knew the lights off/lights on shadow figure thing seemed familiar. While I really loved the short film, I don't necessarily agree that it needed the full length treatment. I feel like we see this a lot - capitalize off some popular internet thing that, when extended, loses some of what made it special in the first place. The short film was unsettling and creepy as it was; giving it a back story and more detail made it feel cheapened. I'm not a huge fan of "BOO!" gotcha horror movies, though; I come from a generation that was raised on the original Halloween and, for me, that is the apex of subtle, creepy, slow burn etc - everything that makes one get enveloped in a movie. When there are two many jump-atchas, it is jarring and does not make for high replay value (for me, anyway). I thought the mental asylum backstory was so played out; I feel like maybe that trope should be burned alive. We get it. Although that's kind of how I also feel about kids being creepy (or "troubled"), too. There's just so little variation in horror these days. Not all bad, though - I feel like the choice of Teresa Palmer as Maria Bello (Sophie)'s character's daughter was a fantastic choice. I not only enjoyed her performance but I feel she looks the part; she looks like a younger version of her.
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