Twelve years after the tragic death of their little girl, a doll-maker and his wife welcome a nun and several girls from a shuttered orphanage into their home, where they become the target of the doll-maker's possessed creation, Annabelle.
A prequel set before the haunting of the Lambert family that reveals how gifted psychic Elise Rainier reluctantly agrees to use her ability to contact the dead in order to help a teenage girl who has been targeted by a dangerous supernatural entity.
A man called Paul is working after hours and is murdered by a supernatural entity in the shadow. When his son, the boy Martin, is frightened by the same creature, he sees his mother Sophie talking to an imaginary friend called Diana in the shadow of her room. Martin does not sleep anymore during the night. His older step sister Rebecca who lives alone is summoned by the social assistant. She brings Martin home and recalls her own experience with Diana years ago when she was young. Rebecca and her boyfriend Bret investigate the connection of Sophie with Diana and come up to a scary revelation about their past.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
David F. Sandberg said that his goal was to keep Diana's appearance in the film as a silhouette, when asked about how challenging it was to keep Diana in the dark, he said " very challenging because I didn't want you to cheat, I had to storyboard all of it just to make sure that she was truly a silhouette at first I was working with a storyboard artist, he would draw her with a rim light and I was like "No we can't shoot it like that because that's cheating" so I had to do my own storyboards and figure out how we could always keep her as a true silhouette when she grabs Bret I had to think about it, " if he uses his flashlight like this to bang on the handle if she grabs and when he's up here then the flashlight is pointed backwards creating a silhouette so that she can actually grab him" it was really hard to figure out exactly how to get her on film. See more »
At the very end when Bret comes back with the cops. The LAPD car is in front of Bret's Volvo SUV. The cop car is a crown Victoria and has the number 22 on the trunk.
A few minutes later after the finale when they're sitting in the ambulance another cop car pulls up behind Bret's SUV and it's a LAPD charger and also has the number 22 on the trunk. See more »
[on video call]
Hey, Dad. Are you coming home soon?
Yeah, uh, in an hour or so. What's up? Where's Mom?
I don't think she's feeling good.
See more »
No person or entity associated with this film received payment or anything of value, or entered into an agreement, in connection with the depiction of tobacco products. See more »
This movie will get your pulse up fast, revealing the "horror" very early on. Interestingly enough, it keeps that pulse up throughout the movie despite of this. The concept of something that can only appear and be seen if it's dark (and with a somewhat supernatural ability to destroy light bulbs) is bound to lead to a jump scare or ten whenever it appears. Towards the end you've almost gotten so used to it that the scare effect wears off a bit, and is one of two reason I don't rank this a 10. But thanks to a good story and good actors, the movie still holds its ground to the very end.
The characters are really good, well written and performed, and with a young boy that if not before, totally kick started his future acting career with this movie. Who doesn't love a young prodigy? The plot has some weight and emotion to it, and with a solid ending that wraps things up in a much more satisfying way than most similar movies.
The other small drawback with this movie for me was mostly because of slightly unrealistic behavior from our main characters, occasionally. Like when miss heels from Jurrasic World is worried that when she releases T-Rex it won't be able to follow her if she runs. So, she waits for it to come close, walks for a bit, then runs. Those kinds of unrealistic behaviors. But I've seen much worse, and this movie doesn't take the "unrealistic" very far, or often, so I suggest you just put this on and roll with it!
All in all you get everything you want from a jump scare movie with Lights Out, with a good plot and good actors that deliver, and a scare factor we all can relate to. You might not be so happy with turning of your lights going to bed later that night, so if you have a weak stomach you might wanna sit this one out.
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