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Title: Imperium (2016)
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| Cast overview, first billed only: | |||
| Daniel Radcliffe | ... | Nate Foster | |
| Toni Collette | ... | Angela Zamparo | |
| Tracy Letts | ... | Dallas Wolf | |
| Sam Trammell | ... | Gerry Conway | |
| Nestor Carbonell | ... | Tom Hernandez | |
| Chris Sullivan | ... | Andrew Blackwell | |
| Seth Numrich | ... | Roy | |
| Pawel Szajda | ... | Vince Sargent | |
| Devin Druid | ... | Johnny | |
| Burn Gorman | ... | Morgan | |
 |
Adam Meier | ... | Frank Hedges |
| Roger Yawson | ... | Usman | |
| Linc Hand | ... | David | |
| Vanessa Ore | ... | Becky | |
| Jasson Finney | ... | Billy | |
Idealistic FBI agent Nate Foster goes undercover to take down a radical white supremacy terrorist group. The up-and-coming analyst must confront the challenge of sticking to a new identity while maintaining his real principles as he navigates the dangerous underworld of white supremacy. Written by Lionsgate Premiere
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Daniel Radcliffe as a FBI agent and an extreme white supremacist, now that was a film I really had to see. Personally, I love undercover stories as they have inbuilt elements of excitement and uncertainty. You're wondering constantly whether the covert operation is going to be a success or a failure.
Even with a shaved head and gangster clothes, Radcliffe lacked menace, fury and vitriol one might expect from a white supremacist. His eyes emanate a childlike innocence that is difficult to overcome even by vulgar behaviour and foul language. He doesn't astound, but I was quite engrossed in his performance. I cared about him and I wanted him to succeed.
I would have loved to see a deeper examination of infiltration strategies than what was in this film. It employs tips from the well – known book: Dale Carnegie's 'How to win friends and influence people', and doesn't go beyond that. By being as simple as it is, it takes away the intrigue of an undercover story.
There were some nail-biting scenes and clever dialogue that held my attention. We do get to delve into the mindsets of several white supremacists. The finale, however, felt very rushed. It came across as very sudden and I questioned its plausibility. It seems that the writers just needed a quick and thrilling end to the story without considering whether it is consistent with what they have developed earlier, both story and character wise.
I admire Radcliffe's tenacity to take on such a role. Even though the film wasn't a profound artwork, he does well in trying to break the seemingly immutable image of him as Harry Potter. Anyone who is used to seeing him as the boy who lived would be pleasantly surprised.