Like millions of other couples, Mounir and Murielle fall in love. Like millions of other couples, Mounir and Murielle have children. But unlike them, they accept to give up their autonomy ... See full summary »
LIGHTNING, a legend in four seasons. This panorama is a filmic zigzag that forks out like a bolt of lightning. Its subject straddles several countries and centuries simultaneously. Its form is somewhere between documentary and legend.
Mathieu has never known his father. His mother has always told him he was the fruit of a one-night-stand. One morning, in his Parisian flat, he receives a call from Quebec telling him his ... See full summary »
Catherine de Léan
Having been fired from her old job as a real estate agent, 40 years old Constance faces severe pecuniary issues : she cannot rent a flat anymore and she doesn't find another job in Paris. ... See full summary »
Life is what it is in Picardie. Kévin is 20, a 125cc bike, and a part time job in an industrial farm. Due to an accident, he is struck by Alice's smile. A smile leading to a dream and love.... See full summary »
A single devastating event intertwines inextricably the lives of an unfortunate teenager, a weary woman with a critical degenerative heart condition and a team of compassionate doctors; all perfect strangers, perfectly interconnected.
Fifteen years earlier, Marie, a well off young woman, had set up house with Boris, a working class man. They loved each other and had twin daughters, Jade and Margaux. But now, Marie and Boris do not get along anymore and have decided to get a divorce. The trouble is that Boris cannot afford to find a new place of his own and, in the meantime must continue to cohabit. Marie desperately wants Boris away and cannot put up with him any longer. Her partner, for his part, will not leave home unless she gives him half of what the house is worth. Marie refuses because she is the one who bought the place. Boris refuses because he renovated it and brought considerable added value to their belonging. The situation is deadlocked. How will they get out of this hell?Written by
[to his daughters]
It scares you when we shout? You think we shout a lot? Too often? We still love each other. We shout, but we love each other. It mustn't worry you. It's not against you. You know that? It changes nothing for you. We love you both and it doesn't change how we feel. It's nothing to do with you. We'll try not to shout again. We promise.
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Marie and Boris were in love once and have two daughters and a lovely house that Boris has done up mostly by himself. Somewhere along that journey the love has been reversed and now Marie can not abide the sight of her husband. They seem to have arrangements to cohabit until finances have been sorted but things are steadily falling apart.
The film can be a hard watch as anyone going through a relationship meltdown or who has gone through one will know. The ways they chose to humiliate each other seem to know no bounds. Then we have the guilt trips and the fumbling make ups.
It has the feel of a very well observed and constructed film. All the actors are great especially the children. What it does get for its unrelenting realism is a bleak and almost depressing film. This is as far from a 'feel good' film as you can possibly get – think 'Kramer Vs Kramer' only with better wine. As an artistic endeavour though it does have to be applauded for its achievements – but I had to watch something more cheery afterwards so do be warned.
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