1920, rural Ireland. Anglo Irish twins Rachel and Edward share a strange existence in their crumbling family estate. Each night, the property becomes the domain of a sinister presence (The ... See full summary »
A young Englishman plots revenge against his late cousin's mysterious, beautiful wife, believing her responsible for his death. But his feelings become complicated as he finds himself falling under the beguiling spell of her charms.
In 1914, a young man arrives at a remote island near the Antarctic Circle to take the post of weather observer only to find himself trapped in a watchtower besieged by deadly creatures which live in hiding on the island.
Two upper-class teenage girls in suburban Connecticut rekindle their unlikely friendship after years of growing apart. Together, they hatch a plan to solve both of their problems-no matter what the cost.
An ambitious young executive is sent to retrieve his company's CEO from an idyllic but mysterious "wellness center" at a remote location in the Swiss Alps, but soon suspects that the spa's treatments are not what they seem.
Though only appearing in the movie briefly, philosopher Karl Marx was indeed living in London at the time the movie is set. Because he was a Jew and propounded socialist ideas, he was actually harassed by the police. See more »
In a few close-ups you can see Olivia Cooke's character 'Lizzie' has modern 'invisible' teeth braces at the bottom of her teeth. See more »
Despite being yet another film set in London (yawn) The Limehouse Golem is atmospheric and will certainly hold your attention. This is partly due to the detailed scenic constructions that create a dark, intimate atmosphere but also due to the excellent casting. Juan Carlos Medina brings out the best in the cast. Watch how he uses the actors' eyes to communicate directly with the audience via the camera lens. Oliva Cooke, alternately resembling Emma Watson and Julia Roberts, glows and sparkles and then freezes as the film jumps between her recalled memory and her jail cell. Sadly, the usually wonderful Bill Nighy only hints at his customary quirkiness and the inferred gayness of Nighy's Inspector Kildare and Daniel May's gentle George Flood seems strangely pointless. The interplay between audience the stage of the music hall and the audience draws the cinema audience right into the heart of the action. The music hall scenes are beautifully re-imagined and are a joy to watch. Douglas Booth turns in a beautifully sensitive portrayal of Dan Leno that reminded me of Eddie Redmayne in the Danish Girl.
Despite the fact that the film is a little under-written - I worked out the identity of the Golem about one third of the way through the film -
this is a very enjoyable and convincing tale that is well told. My major criticism of the film is that it is overlong. Sometimes less is more and the film would have benefited by tighter editing of the final scenes where fantasy and fact become confused leading to the audience being not quite sure what is happening.
Overall, though, a very enjoyable couple of hours spent in the cinema and please, film producers,let's have more films like this. But please also remember that London was not the only location in the UK where dark deeds happened in Victorian times. There was, and is, life and interest outside London.
22 of 32 people found this review helpful.
Was this review helpful to you?
| Report this