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The Wounded Angel (2016)

Ranenyy angel (original title)
Not Rated | | Drama | 11 May 2016 (France)
Four loosely connected stories set in a small town in Kazakhstan at the beginning of the 90s, a time of transition from the Soviet era to a new state with emotional and economic depression.... See full summary »

Director:

Emir Baigazin

Writer:

Emir Baigazin
Reviews
1 win & 2 nominations. See more awards »

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Drama

A collection of short films.

Director: Emir Baigazin
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Cast

Credited cast:
Omar Adilov Omar Adilov
Timur Aidarbekov Timur Aidarbekov
Madiyar Aripbay Madiyar Aripbay
Anzara Barlykova Anzara Barlykova
Madiyar Nazarov Madiyar Nazarov
Nurlybek Saktaganov Nurlybek Saktaganov
Kanagat Taskaraev Kanagat Taskaraev
Rasul Vilyamov Rasul Vilyamov
Edit

Storyline

Four loosely connected stories set in a small town in Kazakhstan at the beginning of the 90s, a time of transition from the Soviet era to a new state with emotional and economic depression. Each of the four main characters, all of whom are 13 years old, must go through a painful transition.

Plot Summary | Add Synopsis

Genres:

Drama

Certificate:

Not Rated
Edit

Details

Country:

Germany | France | Kazakhstan

Language:

Kazakh | Russian

Release Date:

11 May 2016 (France) See more »

Also Known As:

The Wounded Angel See more »

Edit

Box Office

Budget:

€1,000,000 (estimated)
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

(original)

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »

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User Reviews

 
As grim a picture of childhood as the cinema has given us.
10 March 2017 | by MOscarbradleySee all my reviews

In Kazakhstan life is hard and childhood, as we know it, is virtually non-existent. Children and adults alike do what they can to get by. Emir Baigazin's remarkable. virtually plot less film is divided into a number of chapters, each one examining boys struggling with the pain of the everyday and a life, if a life it is, far removed from what we in the West are used to.

I don't know if any of the 'actors' are professionals but the performances Baigazin draws from his mostly young cast are extraordinary. There is no music score and little dialogue, (which is just as well as the subtitles on the print I saw were poor). It is, of course, deeply depressing, as grim a picture of childhood as the cinema has given us yet filmed with a startling purity. This is only Baigazin's second film but, if given the distribution it cries out for, it should establish him as a major player in world cinema.


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