On the run in the year 1987, Bumblebee finds refuge in a junkyard in a small California beach town. On the cusp of turning 18 and trying to find her place in the world, Charlie Watson discovers Bumblebee, battle-scarred and broken.
Armed with a super-suit with the astonishing ability to shrink in scale but increase in strength, cat burglar Scott Lang must embrace his inner hero and help his mentor, Dr. Hank Pym, plan and pull off a heist that will save the world.
As Scott Lang balances being both a superhero and a father, Hope van Dyne and Dr. Hank Pym present an urgent new mission that finds the Ant-Man fighting alongside The Wasp to uncover secrets from their past.
On Cybertron, the Autobots, led by Optimus Prime, are on the verge of losing the Great Cybertronian War to their enemies, the Decepticons, and begin making preparations to leave the planet. The Decepticons led by Shockwave, Soundwave and Starscream ambush them during the evacuation, and Optimus sends a young scout, B-127, to Earth in order to set up a base of operations where the Autobots can regroup. B-127 reaches Earth alone in 1987, crash-landing in California and disrupting a training exercise being conducted by Sector 7, a secret government agency that monitors extraterrestrial activity on Earth. Sector 7 agent Colonel Jack Burns presumes B-127 to be a hostile invader and attacks, driving B-127 into the forest, where he is then ambushed by the Decepticon Blitzwing. When B-127 refuses to reveal Optimus' whereabouts, Blitzwing spitefully tears out his voice-box and damages his memory core. B-127 manages to destroy Blitzwing before collapsing from his wounds. Before entering stasis,...Written by
The scene in which Charlie is trying to repair Bumblebee and unwittingly activates Optimus Prime's holographic message after declaring "There's something stuck here", is a homage to Star Wars: Episode IV - A New Hope (1977), with the same scene occurring between Luke Skywalker, R2-D2 and the hologram of Princess Leia. See more »
When testing Bee's new radio/tape deck, Charlie briefly plays a tape of Rick Astley's "Never Gonna Give You Up", which was released in Britain in 1987 but did not reach the United States until 1988. See more »
[the Autobots are taking heavy fire from the Decepticons]
They've broken through the front lines!
I've lost contact with the Capitol!
There's too many of them!
See more »
Part of the closing credits are a stylish sequence of images in yellow and black. See more »
Although the original British submission was uncut and rated 12A, it was replaced by a cut PG version removing 6 seconds of violence/injury. See more »
Written by Ric Ocasek
Performed by The Cars
Courtesy of Elektra Entertainment Group
By arrangement with Warner Music Group Film & TV Licensing See more »
The Best Transformers Movie Since The Original!
Bumblebee is the best film in the Transformers franchise since the live action original. It's not a bloated, juvenile, CGI barrage with a hackneyed script and terrible acting. In other words, Michael Bay is not the director. The sixth volume succeeds because the story and characters are well-written, have depth. Bay's dripping machismo is replaced by a more feminine sensibility. Screenwriter Christina Hodson and director Travis Knight breathe fresh air into a stale commodity. Bumblebee rekindles the spirit of the cartoon, while adding an unexpected dose of warmth and humor.
Set in 1987, Bumblebee opens with the fall of Cybertron. As the Autobots evacuate the planet, Optimus Prime (Peter Cullen) dispatches B-127 (Dylan O'Brien) to Earth. He is to scout the planet as a possible secret base. The journey does not go smoothly. The Decepticons are one step behind him. His landing observed by a stunned military officer (John Cena).
Hailee Steinfeld stars as Charlie, a grease-monkey teenage loner with a tragic past. Her mother (Pamela Adlon) and goofball stepfather (Stephen Schneider) are constant annoyances. On the cusp of her eighteenth birthday, she's stuck in a minimum wage job, riding a clackety scooter to work. She spends her spare time at her uncle's junkyard, scavenging for parts to fix her beloved father's Corvette. Charlie discovers a beaten up, yellow Volkswagen Beetle. Her attempts to fix the car uncovers an amazing new friend. Charlie finds happiness in the gentle robot. But is completely unprepared for the bad-ass Decepticons, Shatter (Angela Bassett) and Dropkick (Justin Theroux), searching for him.
Bumblebee can be described as The Breakfast Club meets Transformers. The roaring eighties soundtrack and teenage girl angst is skillfully blended with the robot carnage. Christina Hodson's screenplay respects the characters. Charlie has a lot of personality. Her family and social life are thoroughly explored. Charlie finds Bumblebee at a low point. He's confused and frightened, needs help. They grow together, developing a strong bond in the process. It sounds sappy as hell, but actually works. The previous Transformers films lacked feeling. They were cold, purely visual spectacles. Hodson, who's also writing Birds of Prey and Batgirl, delivers a complex heroine. Hailee Steinfeld, Oscar nominated for True Grit, plays Charlie perfectly. Girl power is the fuel that drives Bumblebee.
Travis Knight's experience as an animation director is evident here. Knight previously made the brilliant Kubo and the Two Strings. He understands how to use visual effects to express intent and emotions. Bumblebee says very little in the film. His facial expressions and mannerisms convey meaning. He goes from tender, humorous moments, to knockdown brawls. Bumblebee's smaller stature in comparison to other Transformers is used to his advantage. He has a unique fighting style that beats down larger opponents. Except for the huge opening scene, Bumblebee's fights are mano a mano. I think these are far more effective than CGI onslaughts. Travis Knight brings a vastly different style to Transformers. It's a welcome change that will definitely be embraced by fans.
Bumblebee reinvigorates the Transformers franchise. Christina Hodson and Travis knight have broadened its appeal to a wider audience. Paramount Pictures and Hasbro have smartly taken a new approach. I hope they stick to this path for the next installment. There are additional scenes during the credits.
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