"The Sinner" star talks us through his arc in the show's just-finished Season 2.
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Title: Kötü Kedi Serafettin (2016)
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| Credited cast: | |||
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Ugur Yücel | ... | Serafettin (voice) |
| Demet Evgar | ... | Tacettin / Misket (voice) | |
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Okan Yalabik | ... | Çizer / Adnan (voice) |
| Güven Kiraç | ... | Riza (voice) | |
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Gökçe Özyol | ... | Rifki (voice) |
| Ahmet Mümtaz Taylan | ... | Tonguç (voice) | |
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Yekta Kopan | ... | Cemil (voice) |
|
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Aysen Gruda | ... | Hasene (voice) |
| Cezmi Baskin | ... | Semistan (voice) | |
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Ozan Kurtulus | ... | Köpek / Ambulans Görevlisi 2 (voice) |
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Bülent Üstün | ... | Marti Mertan (voice) |
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Ayse Ünal | ... | Ambulans Görevlisi 1 (voice) |
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Mehmet Kurtulus | ... | Komiser (voice) |
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Turgut Dogru | ... | Polis (voice) |
| Rest of cast listed alphabetically: | |||
| Duygu Basara Dublaj Menajerlik | ... | Serafettin et al (voice) | |
Produced by Turkey's biggest animation studio, Anima Istanbul, The Bad Cat is an animated epic for young adults featuring the unforgettably bad cat, Shero and his foul mouthed gang in action. As animals inhabiting streets Shero and his friends are after what anyone else in their notoriously sleazy Istanbul neighborhood wants: debauchery with girls, food and the occasional drinking binge. This ordinary looking day will prove otherwise as their paths cross with humans, things get a little out of hand in hilarious, harsh and unexpected ways.
If you have watched, Fritz the Cat 1972 and liked it, you'll more likely also watch and enjoy this one. Bad language is flowing like a water-turd fall and toilet humor is rife. There is an overall moral though, and there is also a sense of order among all the chaos. I felt the poor zapped fella was hard done by myself, he didn't deserve all that beating. That aside, this is an enjoyable watch but not with granny or the kids. Not the crispest animation if you are picky, but you soon get absorbed into the plot and those failings soon get brushed aside and are more than made up for by the unique animated methods and rapid fire scenes and constant twisting mini plots and scene to scene shoots. The perspective the animators used i don't think can ever be emulated with as much success as was achieved here, it was quite something to feel my own chair move when i was trying to follow the movements on screen.