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Title: In the Tall Grass (2019)
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| Complete credited cast: | |||
| Laysla De Oliveira | ... | Becky DeMuth | |
| Avery Whitted | ... | Cal DeMuth | |
| Patrick Wilson | ... | Ross Humboldt | |
| Will Buie Jr. | ... | Tobin Humboldt | |
| Harrison Gilbertson | ... | Travis McKean | |
| Tiffany Helm | ... | Gas Attendant | |
| Rachel Wilson | ... | Natalie Humboldt | |
When siblings Becky and Cal hear the cries of a young boy lost within a field of tall grass, they venture in to rescue him, only to become ensnared themselves by a sinister force that quickly disorients and separates them. Cut off from the world and unable to escape the field's tightening grip, they soon discover that the only thing worse than getting lost is being found. Written by Netflix
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From the really creative director of 'Cube', one of the greatest scifi films made in my opinion. The film maker has unfortunately moved primarily into television episode directing since then, with a couple hit n miss films in-between like 'Splice' which was so-so. Nothing living upto Cube. 'In the Tall Grass' in my opinion is his second strongest film now. Shot. directed and mostly written really well, follows a creepy Stephen king story.. what more could you need?
The concept of this story reminds me (and I assume anyone who grew up in rural areas) of the many types of games you would come up with when you were young with a wild imagination. Yet with the addition of horror.
So many make believe games you come up with as a child, put into a adult perspective. Can be made totally horrifying because death or injury is often the end result. The one even city kids would know and love would be stepping on parts of a sidewalk without cracks or lines. Or you brake your back/die/get lost in another world.. etc. Forests and fields were a gold mine for these types of games and this film plays to that idea perfectly.
The only thing that let the film down was some writing/plot hole issues that could've been filled quite easily in my opinion. The father of the pregnant woman not calling the police when he finds the car (not a spoiler dw) could have been supernaturally excused easily, but they just don't address it at all. Some of the dialogue was kinda 'meh', but mostly it was good enough for this type of film.
I really like films that don't fit in a stereotype of what most movies post 2010 have become. I think around that year the decline really began with original film makers. Probably earlier. But it's become very noticeable now. It's worth trying films like this out and giving them a fair opinion, not steeped in cynicism. On a off day where the current world is bringing me down to much, I could've given this a standard 6/10. But that would be a mistake and not giving credit towards the successfully accomplished vision of the director for a story such as 'In the tall grass' . Please give this movie a shot. Especially if you're sick and tired of most of the generic toeing the safe ground story writing type films. 8/10