4.6/10
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The Con Is On (2018)

R | | Comedy | 25 May 2018 (Spain)
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2:09 | Trailer

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In an effort to avoid paying off a massive gambling debt to a notorious mobster in England, a couple flees to Los Angeles and hatch a jewel theft plot.

Director:

James Oakley (as James Haslam)

Writers:

Alex Michaelides, James Oakley (as James Haslam)
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3,005 ( 172)

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Cast

Credited cast:
Alice Eve ... Jackie
Sofía Vergara ... Vivien
Uma Thurman ... Harriet Fox
Ashley Williams
Maggie Q ... Irina
Parker Posey ... Gina
Tim Roth ... Peter Fox
Crispin Glover ... Gabriel Anderson
Stephen Fry ... Sidney
Melissa Sue Anderson ... Guest Two (Lady Olivia) (as Melissa Anderson)
Sharon Maughan ... Guest one (Lady Victoria)
Susan Traylor ... Diane St. Cliare
Doug Haley ... Water Boy
Jeff Bosley ... Handsome Man
Carly Steel ... Journalist (as Carly Steele)
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Storyline

In an effort to avoid paying off a massive gambling debt to a notorious mobster in England, a couple flees to Los Angeles and hatch a jewel theft plot.

Plot Summary | Add Synopsis

Plot Keywords:

blonde | mini dress | panties | See All (3) »

Genres:

Comedy

Motion Picture Rating (MPAA)

Rated R for language throughout, drug and alcohol use, some sexual content and violence | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA | UK

Language:

English

Release Date:

25 May 2018 (Spain) See more »

Also Known As:

The Brits Are Coming See more »

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Box Office

Budget:

$13,000,000 (estimated)
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

This marks the third film with Uma Thurman and Tim Roth in together, the other 2 are Pulp Fiction (1994) and Vatel (2000) See more »

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User Reviews

Literally and figuratively, a farce of a movie.
8 May 2018 | by google-79564See all my reviews

Where to begin. The opening credits were lifted from Catch Me if You Can and Kiss Kiss Bang Bang. It fails to capture the essence of either. Within the first 10 minutes of the movie, half of which are title sequence, you become quickly aware that the editing was created by Stevie Wonder's stand in, Blind Freddie. Blind Freddie is actually only 10 years old and suffers from narcolepsy, evidence of which can be seen in the panning shots which are supposed to create a segway to the next scene but linger way too long. The acting is, for the want of a better term, dire. It is quite clear that most of the actors are low on cash and have done a turn for a quick injection in their pocket books, which only helps to seal the fate of this abomination. I liked most of the actors in this movie prior to seeing it, now their credibility along with my admiration have dispersed quicker than a whale turd. Whoever suggested this is a movie to stick at an enjoy, or the viewer has to work to enjoy, must be from the cast, crew, family or financiers. Truly awful suggestion.


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