The drug war on the U.S.-Mexico border has escalated as the cartels have begun trafficking terrorists across the US border. To fight the war, federal agent Matt Graver re-teams with the mercurial Alejandro.
Benicio Del Toro,
In 1981, Virginia Vallejo is a famous Colombia's journalist and TV news anchorwoman who is invited to a VIPs party in the ranch of Pablo Escobar, a low-born man who gained money and power with drug trafficking together his friends, turning them in the new generation of rich men of the country. Seduced by his charisma, Virginia starts a passionate love affair with Escobar despite he's a family man married with María Victoria. Along the 80's years, Escobar becomes famous in his try to better the life of the low-born people of Medellín and raising a politician carrier in the Colombia's congress, but Virginia starts to understand Escobar's real power controlling an empire of crime in Colombia and spreading his drug by all USA. It causes that the DEA's agent Shepard interests by his business and by Virginia, contacting her looking for a way to stop him. With the President Belisario Betancur allying with USA to stop Escobar and extradite him to judge outside Colombia, this last one starts a...Written by
This is the second time in seventeen years that Penelope Cruz has starred in a film that featured Pablo Escobar - the first one was in 2001's Blow, where she played the wife of Johnny Depp's character George Jung, who met with the notorious Columbian drug lord. See more »
Loving Pablo has certainly moments of guilty pleasure but leaves an empty feeling when reaching the end. This is the story of the rise and fall of Colombian drug lord Pablo Escobar. The very clever pairing of Javier Bardem and Penelope Cruz as the strongly larger-than-life couple gave this production a shot at the international box office before it will go to smaller screens. Very much action-packed, Loving Pablo marks a turn towards the mainstream for Fernando Leon de Aranoa, the Spanish writer-director best known for social and political dramas.
What ends up holding the film down to its level of superficial glitz is being adapted from Vallejo's novel/memoir Loving Pablo, Hating Escobar. The story is told almost on that basis and that's the min limit.
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