Two American sisters, Laura and Kate Barlow (Natalie Portman and Lily-Rose Deep) tour some theaters in Europe shortly before World War II with a spiritualism number, as one of them is a medium. When they are seen in Paris by André Korben, a film producer (Emmanuel Salinger), he becomes enthusiastic about them and proposes a project to them.
Plantarium is one of those films that contains interesting approaches (even intriguing and perverse) and several good ideas but that do not manage to integrate satisfactorily and that end up disintegrating, partly due to their nature, due to an ambiguity that is no longer effective and above all because of its cinematographic realization.
We know that a planetarium is a device that projects an illusory sky onto a vault. One of the themes of Rebecca Zlotowski's film is the crossroads between reality and fiction through cinematography (reminiscent of some stories by Horacio Quiroga on the subject) and a reality that in this case is ambiguous and that also seeks the help of parapsychology and the dream. As for the title in Spanish (Connection of love) it alludes to one of the perverse aspects of the plot (perhaps the most original) that remains halfway. And all this in a climate of the time that wants to be emerging but without achieving it at all.
Planetarium offers a very good performance by Emmnuel Salinger and as usual in these productions, a beautiful art design.
