Gloria is an out-of-work party girl forced to leave her life in New York City and move back home. When reports surface that a giant creature is destroying Seoul, she gradually comes to the realization that she is somehow connected to this phenomenon.
A man awakens in the bedroom of a one-night stand and discovers that he must remain in her building indefinitely, as the authorities deal with last night's UFO invasion. What's more, her weirdo neighbor has a huge unrequited crush on her.
Seventy-year-old widower Ben Whittaker has discovered that retirement isn't all it's cracked up to be. Seizing an opportunity to get back in the game, he becomes a senior intern at an online fashion site, founded and run by Jules Ostin.
Luke and Kate are coworkers at a brewery who spend their nights drinking and flirting heavily. One weekend away together with their significant others proves who really belongs together and who doesn't.
Pakistan-born comedian Kumail Nanjiani and grad student Emily Gardner fall in love but struggle as their cultures clash. When Emily contracts a mysterious illness, Kumail finds himself forced to face her feisty parents, his family's expectations, and his true feelings.
Gloria (Anne Hathaway) is an out-of-work girl who, after getting kicked out of her apartment by her boyfriend, is forced to leave her life in New York and move back to her hometown. When news reports surface that a giant creature is destroying Seoul, South Korea, Gloria gradually comes to the realization that she is somehow connected to this far-off phenomenon. As events begin to spin out of control, Gloria must determine why her seemingly insignificant existence has such a colossal effect on the fate of the world.
In the final flashback to Gloria and Oscar's youth, a comic book is shown falling from Oscar's backpack. The back cover of the comic features a partial quote from David S Goyer and mentions his films Batman Begins (2005) and The Invisible (2007). The flashback occurs twenty-five years before the present day of the film, so either Colossal is set in 2032 at the earliest -- which does not appear to be the case -- or the book is an anachronism. See more »
[throws the bar keys towards Oscar]
Here! There are your keys; I'm not coming back to your shitty bar!
[picking up the keys]
Yeah you are.
[Throws the keys at Gloria with enough force to hurt her]
[holding her stomach in pain]
You're gonna keep working at the bar, or I'm gonna come back here tomorrow, and destroy an entire neighborhood.
[through her teeth, bringing her face close to Oscar's]
Then I'll come back and I'll kick your fucking ass!
No you ...
[...] See more »
Solidly engaging film may leave you with a couple of questions after its over, but Hathaway and Sudekis do terrific work
Attended a preview screening of this courtesy of a friend the other night with zero idea of what the movie was about so imagine to my surprise that it was a wry take on a Godzilla movie but with a seriously intriguing and rather perplexing narrative hook. If you're reading this right now, you're either deciding whether to see this, or you've already seen this and are looking for opinions on what other people thought.
Without spoiling anything I'll just say that i thought the director (who also wrote the script) does an impressive job of keeping you into the story being told, and just slightly off track as to what's around the bend story wise. There were a couple times watching this where I thought i knew where the story was going to go, but ended up being somewhat off the mark. As the movie kept going I also started to wonder how the heck the director was going to bring this thing to a satisfying ending, and the answer to that question was with a fantastic climactic sequence that i very much liked watching unfold but didn't quite hit the mark in terms of satisfying to me, but somehow still felt quite right in keeping in tone with what we had been watching the whole time.
So basically i'm just saying--its worth checking out but with some slight reservations about the story as it unfolded. (I personally thought the big reveal about the origins of the monster's appearance was a little too symbolic and mystical and out of the blue, but other people might like how its explained)
All that said, the main concept of the movie i thought was pretty superb, and I thought Anne Hathaway in a kind of role we rarely if ever see her play was excellent and does a tremendous job in a very difficult role. If you don't like her, you'll end up hating the movie because she is a very large component of the movie. I thought even tho her character is aimless, she did a terrific job of keeping her likable throughout, even when you're kind of cringing at some of the decisions she makes on screen. Similarly, i thought the performance of Jason Sudekis was also surprisingly good. He starts out the film the way you normally see him in films, as the seemingly good hart-ed, wry, slightly bumbling slob, but as the story unfolds and he gradually starts to change those very qualities ever so subtly, it may not be til very late in the film or possibly thinking about it on the way home that you realize how strong a job he did as well playing opposite Hathaway. (Dan Stevens for the record has a very smallish part so if you're going to see this specifically for him, you might be disappointed)
In closing i'll just say that if you already know the premise to the film and are wondering whether or not its for you, I'll just say that if you like slightly out there premises, you should check this out because overall despite again some narrative choices I might not have been too crazy about, i thought it was a very solidly engaging movie, and for what its worth, I didn't think it was too strange to appeal to people who think that this may be too far out there for their comfort zones/slightly more mainstream tastes.
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