Gloria is an out-of-work party girl forced to leave her life in New York City and move back home. When reports surface that a giant creature is destroying Seoul, she gradually comes to the realization that she is somehow connected to this phenomenon.
Gloria (Anne Hathaway) is an out-of-work girl who, after getting kicked out of her apartment by her boyfriend, is forced to leave her life in New York and move back to her hometown. When news reports surface that a giant creature is destroying Seoul, South Korea, Gloria gradually comes to the realization that she is somehow connected to this far-off phenomenon. As events begin to spin out of control, Gloria must determine why her seemingly insignificant existence has such a colossal effect on the fate of the world.
When Gloria and Oscar hears the alarm signal from the TV it is dark outside despite the fact that the alarm sounds just before the colossal appearing which is 8.05 am. See more »
[throws the bar keys towards Oscar]
Here! There are your keys; I'm not coming back to your shitty bar!
[picking up the keys]
Yeah you are.
[Throws the keys at Gloria with enough force to hurt her]
[holding her stomach in pain]
You're gonna keep working at the bar, or I'm gonna come back here tomorrow, and destroy an entire neighborhood.
[through her teeth, bringing her face close to Oscar's]
Then I'll come back and I'll kick your fucking ass!
No you ...
[...] See more »
Gloria (Anne Hathaway) is a mess. Her existence revolves around drinking, sleeping and abusive men. Dumped by her boyfriend, Gloria returns to her hometown in a half-hearted attempt to begin again. She continues to be a sucker for abuse. The men in Gloria's life, each controlling in their own way, manipulate her will-power as much as the alcohol.
At about the same time a gigantic monster begins stalking Seoul. Gloria discovers a connection between this monster, herself and her tragic relationships with men and the bottle.
Endearing qualities of the film include touching scenes, powerful underlying themes and independent charm. Yet the storyline is disjointed and lacks effective transitions. Gaps need to be filled in the writing/directing. Hathaway, Jason Sudeikis and Tim Blake Nelson are fun to watch, yet Nelson seems somewhat restrained. Seen at the Toronto International Film Festival.
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