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Woodshock (2017)

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A haunted young woman spirals in the wake of profound loss, torn between her fractured emotional state and the reality-altering effects of a potent cannabinoid drug.





Complete credited cast:
Kirsten Dunst ... Theresa
Joe Cole ... Nick
Pilou Asbæk ... Keith
Steph DuVall ... Ed (as Stephan DuVall)
Jack Kilmer ... Johnny
Susan Traylor ... Theresa's Mother
Joel McCoy Joel McCoy ... Foreman
Michael Pavlicek Michael Pavlicek ... Mike
Joseph Wray Barney Joseph Wray Barney ... Kid at Party #1
Henry Pokorski Henry Pokorski ... Kid at Party #2
Kyler Jude Hanson Kyler Jude Hanson ... Customer


A haunted young woman spirals in the wake of profound loss, torn between her fractured emotional state and the reality-altering effects of a potent cannabinoid drug.

Plot Summary | Add Synopsis


Drama | Thriller

Motion Picture Rating (MPAA)

Rated R for drug use, language and a scene of violence | See all certifications »






Release Date:

22 September 2017 (USA) See more »

Also Known As:

Вудшок See more »

Filming Locations:

Eureka, California, USA See more »


Box Office


$5,000,000 (estimated)

Opening Weekend USA:

$12,247, 24 September 2017, Limited Release

Gross USA:

$42,603, 12 October 2017
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs




Aspect Ratio:

2.35 : 1
See full technical specs »

Did You Know?


Scenes were shot in the town of Arcata in Humboldt County, located in Northern California, which is where the Mulleavy sisters grew up. See more »


Used To
Written by Bruce Gilbert
Performed by Wire
See more »

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User Reviews

A slow slog through a meditative photographic lens
27 January 2019 | by tabunoSee all my reviews

Kirsten Dunst stars as Theresa in this independent art film about the grieving process of a young woman who lives in a timber harvesting town. Theresa's role in the assisted suicide of her ailing mother at the beginning of the movie lingers in the background. The movie incorporates the use of heightened audio sounds and photographic shots of nature along with a sound track to enhance the cinematic experience and pacing. The juxtaposition of the old industry of timber mining that Theresa's husband undertakes while she, herself, actually helps out in the newer assisted suicide dispensary commercial field is a fascinating contrast of old and new occupations. The timber mining scenes are enlightening for their graphic and location setting ambiance of a hard and perhaps life limiting expectations for a future couple now living in Theresa's mother's home which was her mother's wish and which, however, her husband isn't exactly thrilled about and whose promotion will take him away from home for longer hours.

Insect sounds, bird chirping, the wind along with the creative shots of wood old growth, shimmering sun rays all combine to portray a sense of nature that humans only inhabit as interlopers and observers. Theresa is often seen as a diminutive figure against the larger natural setting of gigantic wooden tree trunks and lakescapes along with the plucking of wistful musical string accompaniment. Very solitary, very somber. At the same time, the director shifts perspectives between nature scenes and wood cutting scenes offering the contrasts in the environmental setting where the movie is set and where the movie's character's exist and likely living out their lives. There is very brief physical motion of an older man turning himself in a circle while saying, "I'll see you around." in a touching, melancholy moment as he's about to leave the medicinal dispensary.

Whether or not seeing Theresa a lot of time in short skirts and in one scene almost half-naked while hanging out at home alone was deliberate to keep the male audience interest or not, it still was effective in presenting a captivating figure as well as suggestive of an authentic presentation of life at home usually covered up or lewdly displayed in most other typical movies. Yet unlike the trailers, the movie seems to revolve around the meaningless lives of people living in a timber town and the aftermath of a possible important life altering mistake. As a consequence, the movie seems to plod through its visual and audio digital footprints in a languid, almost boring pace like those characters on the screen, only heightened by the editing and addition of environmental sounds and music and artful depictions of nature -- Even the swishing, sparkling crisp tinkle of musical tones and glittering splashes of light from a carwash. There is also a lingering unspoken relational tension between Theresa, her husband, and the medicinal dispensary owner as a underlying theme to the movie. At the same time, there is a sense of decay, an almost empty refrigerator with uneaten cake and spoiling eggs.

The totality of this movie is a slow slog through a meditative photographic lens that seems to lead towards an ambivalent and meandering course to an inconclusive ending unlike an analogous but more striking and straightforward storyline like one of the best of its drama genre Another Earth (2011) or even Dunst's earlier stark and hard-hitting drama Melancholia (2011).

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