When their headquarters are destroyed and the world is held hostage, the Kingsman's journey leads them to the discovery of an allied spy organization in the United States. These two elite secret organizations must band together to defeat a common enemy.
After the Kingsman headquarters are blown up by a psychotic criminal named Poppy Adams, the surviving agents find their way to an allied secret organisation based in Kentucky, named Statesman. The two agencies must now work together in order to save the world and take down the so called 'Golden Circle'.Written by
Elton John's second appearance in a significant movie role - the first was 42 years earlier, as the Pinball Wizard in Tommy (1975). See more »
After Whiskey put his bullwhip around Galahad Sr.'s neck in the diner, he took several steps toward Galahad Sr., but the bullwhip neither sagged lower nor retracted into the handle in came out of. This means it was clearly 100% CGI, and they just forgot to compensate for the movement. See more »
[Poppy leads Charles and Angel to the diner's counter as she puts on an apron]
So, fellas, I have a couple of things that I wanna clarify. You understand that in The Golden Circle, my authority is never to be questioned, right? And the importance of following orders? Do you understand that? And the value of loyalty?
[Charles and Angel nod]
It's easy to nod, isn't it?
[Charles and Angel continue to nod]
I don't like easy. I like proof.
[pause before Poppy looks at Angel]
What's your name?
[...] See more »
The "Take Me Home, Country Road" musical theme is heard over the Marv Films logo. This foreshadows the song being used at a pivotal moment in the film. See more »
It feels like the fifth film in a franchise struggling to maintain it's relevancy, not like the follow-up to what was perhaps the most promising new property in Hollywood.
It's essentially all a big joke played on those who took umbrage at the few select sexualised moments from the final act of the first film, a joke whereby everything is consistently ramped up to eleven regardless of its negative impact on the story in a standoffish move meant to further separate the apparent 'critics' from the so-called 'fans', a move that only successfully provides both categories with a much worse experience, because while I and many other 'fans' didn't mind (or at least excused) the passive, clearly satirical crude jests and occasional absurdity of the original picture, we certainly didn't want a follow-up based entirely around what would obviously be considered the weakest aspects of the piece - elements which were only mitigated by the joyous fun found in the brilliance of the other parts such as the subtle yet witty satire and the very well developed characters, pieces of the puzzle now missing; though it is at times passively entertaining, what we're left with is a fairly by-the-numbers 'save-the-world' plot and a string of odd action set- pieces seemingly incompetently put together, with abhorrent use of rampant speed- ramping making it literally look like someone hit the fast-forward button and haphazardly stitched-together short takes that are supposed to make some sequences look like one fluid shot but instead make them look like cheap cartoons - in his quest to ignore the naysayers, Vaughn disappointingly squanders all of the good-will he had built with his predecessor and bizarrely wipes the slate clean relatively early on, wasting time setting up a less interesting new set of characters instead of working with the better characters already expertly established at the end of the prior title, while also reintroducing a previously dead character (seen in the trailers), after making him an amnesiac no less, in a move that should be reserved only for a waning franchise at least five films in that's struggling to maintain it's relevancy, not for what was once perhaps the most promising new property in Hollywood. 6/10
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