The extraordinary tale of Harriet Tubman's escape from slavery and transformation into one of America's greatest heroes, whose courage, ingenuity, and tenacity freed hundreds of slaves and changed the course of history.
Based on the thrilling and inspirational life of an iconic American freedom fighter, Harriet tells the extraordinary tale of Harriet Tubman's escape from slavery and transformation into one of America's greatest heroes. Her courage, ingenuity, and tenacity freed hundreds of slaves and changed the course of history.Written by
In her very next major role as detective Holly Gibney in The Outsider (2020), Cynthia Erivo again portrays another character who's empowered with clairvoyant or psychic abilities. See more »
After the passage of the Fugitive Slave Act, William Still gives a speech saying that it allows slave catchers to seek slaves in any state in the Union. Slave catchers had always been able to retrieve slaves from the North, under a law from decades earlier. The Fugitive Slave Act of 1850 did not legalize slave hunting in the North but expanded the powers available to slave catchers (including forcing Northern law enforcement to aid them) and weakened the protections available to those accused of being escaped slaves (such as previous requirements that a suspect's identity as a slave be verified by a jury trial). See more »
Daddy warned me, "Boy, having a favorite slave is like having a favorite pig. You can feed it, play with it, give it a name, but one day you might have to eat it or sell it. You know it, and the pig knows it. If you have to sell it, there's no more guilt than separating piglets. And if you have to eat it, you'll forget its name." I hope one day I forget yours.
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1800's type photographs of the cast with their names in the credits. See more »
I went in wanting to love it, ended up just waiting for it to be over. The best part to me was the closing scene and the written adlibs after. I really don't like disparaging works that show the history of Blacks in America, as our stories need to be told, but I was very disappointed. The lead did not evoke any compassion in me, and the villain was very unconvincing. Think about it, 12 Years a Slave and Django had you side-eyeing the actors that played the slave owners because they emoted so well. The lead villain, Gideon Brodess, God Bless him, didn't pull it off IMO. The fact that the best performances were the supporting cast, Leslie Odom as William Still, Clarke Peter as Harriet's father, Omar J. Dorsey (no spoilers as to role) and Henry Hunter Hall (no spoilers as to role) doesn't bode well for a film. Maybe the fact that they made Harriet 24, 25 instead of a mature woman? Maybe it was the dialogue that was written a bit "slick" for the time period? Maybe the inconsistencies with what was presented vs reality? Even Janelle Monae was just so so for me. Although I do not work in Hollywood, when there are that many failures within performances and only the veteran actors shine, it may be the director. I dunno, but I was disappointed. I would still support the film because we need Hollywood to know we want our stories heard/seen. Maybe if Viola Davis' project had gotten support, her version would have been better. She was going to star in and produce a biopic on Harriet Tubman for HBO, but it never happened.
I would give it 5/10 stars.
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