In order to power the city, monsters have to scare children so that they scream. However, the children are toxic to the monsters, and after a child gets through, 2 monsters realize things may not be what they think.
The toys are mistakenly delivered to a day-care center instead of the attic right before Andy leaves for college, and it's up to Woody to convince the other toys that they weren't abandoned and to return home.
The Incredibles hero family takes on a new mission, which involves a change in family roles: Bob Parr (Mr Incredible) must manage the house while his wife Helen (Elastigirl) goes out to save the world.
Craig T. Nelson,
Miles Morales is a New York teen struggling with school, friends and, on top of that, being the new Spider-Man. When he comes across Peter Parker, the erstwhile saviour of New York, in the multiverse, Miles must train to become the new protector of his city.Written by
New York City's police department is given the acronym PDNY (Police Department of New York) instead of NYPD (New York Police Department). Conversely, the real-life FDNY (Fire Department of New York) is instead called the NYFD (New York Fire Department). See more »
Miles has Gwen's hair stuck to his hand after Gwen's head is shaved to free them. In the next shot, as Miles walks down the hall, his hands are clean. Later, when Miles is confronted by a security guard, the hair is stuck to his hand again. See more »
All right, let's do this one last time. My name is Peter Parker. I was bitten by a radioactive spider, and for ten years I've been the one and only Spider-Man. I'm pretty sure you know the rest. I saved a bunch of people, fell in love, saved the city, and then I saved the city again... and again and again and again. And I, uh... I did this.
[shot of Spidey doing the emo dance from "Spider-Man 3"]
We don't really talk about this. Look, I'm a comic book, I'm a cereal, did a...
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SPOILER: After the end credits, Spider-Man 2099 (Miguel O'Hara) travels to Spider-Man (1967) and has a comical encounter with the Spider-Man of that show. See more »
The worlds of superhero movies and superhero comics are not as similar as they seem on the surface. Currently, film studios are all about the "extended universe", seeing how many different titles and characters they can shove into one franchise (Avengers, X-Men, Justice League), making for an easy way to squeeze a few extra bucks out of their lesser known properties. Comics have this as well, of course. However, they also have something modern movies haven't really tapped into yet: story one-offs, a chance for a storyteller to create a unique tale and not be constrained by the implications on or from the larger universe. Spider-Verse gets to do just that, while playfully taking on the fun (if convoluted) absurdity of extended superhero universes.
Listen, I hear you. "How could we possibly need another Spider-Man movie?" Spider-Verse understands that question and has a take on it. Yes, Peter Parker is here. In fact, there are two Peter Parkers. There's also a Spider-Woman, a Noir Spider-Man, an anime Spider-Girl/Robot, and a Spider-Pig. At the center though is Miles Morales, an Afro-Hispanic Brooklyn teen who must help these other Spider-People get back to their own planes of existence. He fights with his cop dad, he adores his shady uncle, hates being simply the smartest kid in the room, and just wants to do something that matters. Being Spider-Man wasn't his idea, but hey, when a radioactive spider gives you powers, what choice do you have?
Look, I don't have any sort of hot take on this movie. It looks great, the humor pops with surprises, the voice casting is beyond perfect. It's simply a stylishly exciting and refreshingly unique take on the superhero genre, and sometimes that's more than enough.
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