The Incredibles hero family takes on a new mission, which involves a change in family roles: Bob Parr (Mr Incredible) must manage the house while his wife Helen (Elastigirl) goes out to save the world.
Craig T. Nelson,
Miles Morales is a New York teen struggling with school, friends and, on top of that, being the new Spider-Man. When he comes across Peter Parker, the erstwhile saviour of New York, in the multiverse, Miles must train to become the new protector of his city.Written by
The "Portland Press Herald" reports that Brian Tyree Henry, voice of Miles' father, has a deep connection to the characters that he plays. He says, "These characters need a voice and I don't want to be a person to lie on them. It's sounding all deep but it's true. I have a special connection to every single character that I've been blessed to touch and I just want to make sure that I don't lie on their journey, that I don't lie on who they are, that I don't lie on their hearts." See more »
Miles blames himself for 'being followed' to Aunt May's house, when by then it was public knowledge that May's nephew was Spider-Man (perhaps even earlier, if the brightly glowing, emblem-showing Spider-Cave entry door in the back yard gave it away). However, the villains also knew that they were dealing with entirely different Spider-People and total strangers to aunt May (at least in this dimension), so they wouldn't see a reason to search for these new Spider-People at May's place. See more »
Alright, let's do this one last time. My name is Peter Parker. I was bitten by a radioactive spider and for ten years I've been the one and only Spider-Man. I'm pretty sure you know the rest. I saved a bunch of people, fell in love, saved the city, and then I saved the city again and again and again... And, uh... I did this.
[shot of Spidey doing the emo dance from "Spider-Man 3"]
We don't really talk about this. Look, I'm a comic book, I'm a cereal, did a Christmas album...
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There is a dedication in the closing credits to "Spider-Man" creators Stan Lee and Steve Ditko, who passed away in 2018.
It is an image of Stan Lee's glasses with a quote: "That person who helps others simply because it should or must be done, and because it is the right thing to do, is indeed without a doubt, a real superhero. Thanks to Stan Lee and Steve Ditko, for showing us we're not the only ones." See more »
The better the art, the harder it is to find the right words to describe it.
Sure, we can dissect and critique and praise using any number of words we choose, but in the end to actually appreciate truly great art, it simply must be experienced in the medium in which it was created. For this movie, it was lovingly crafted in 3D, and so in my opinion can only be fully realized by the viewer in 3D.
What is a comic book movie, and what makes it great? From the original Superman where we first saw a comic book hero fly, to Burton's dark and stylized Batman, to the graphic novel style Sin City, live action ensemble X-MEN, Spider-Man, Iron-Man, The Dark Knight, the entire MCU....all of these are comic book movies, and depending on your personal definition probably range from good to great. And they're all live action with varying degrees of special effects, and some with animation. If you had to pick ones that 'feel the most like a comic book', you'd probably pick Sin City for the overall look, and the phase 3 MCU films for a combination of visuals and capturing the tone and spirit of the comic book story arcs.
But they aren't literally animated comics. The closest to that would probably be the animated movies, right? Like Mask of the Phantasm or any number of the Marvel animated movies. But again those are really 'just cartoons', and I don't mean that in a bad way. They're simply cartoon versions of comic books.
Spider-Man: Into The Spider-Verse is quite literally an animated comic book, and yet it is so much more at the same time. It's an explosion of comic book ink and paper, a dizzying palette of superbly rich colors, a jaw dropping display of digital artistry melded with living, breathing characters we care about, a story that is perfectly derived from the very medium in which it is being created and yet not for one single moment ever feels forced or hollow, a soundtrack fused with an endless exploration of a massive city, staggeringly sized scientific chambers, gigantic forests, and neon-electric-digital-dreamscapes of action set pieces that whir and click and come to life exactly as they do in the minds of children reading them on paper.
This movie is breathtakingly good in every aspect. Like-I'm-questioning-my-sanity-is-it-really-as-good-as-I-think-it-is!?!? Yes. Yes yes yes.
Remember the old Sega game Comix Zone? And how it was like "oh wow! It's a comic book come to life!"? This is like that, with modern technology, cranked up a thousand times.
But here's the most important part - *it was all done in the right way, by the right people, at the right time*. It feels like this project was greenlit and handed to the very people who created comic books themselves with a "here ya go, you have full creative control. Oh and by the way you have an unlimited budget! And resources! Have as much fun making a great movie as you possibly can!"
My first job was working in a movie theater. I took full advantage of being able to see free movies. I've built a decent surround sound system with all the creature comforts and have a growing library of movies. From the re-release of the original Star Wars trilogy, to each of the prequels and to the ongoing trilogy today, T-2, Titanic, the original X-Men, Avatar, The Dark Knight, Avengers, Avengers: Infinity War and so many more...I've gone to many, many big movie theater events for the experience. And I can safely say hands down that Spider-Man: Into the Spider-Verse in 3D is the best moviegoing experience I have ever had. It's that great.
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