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Storks have moved on from delivering babies to packages. But when an order for a baby appears, the best delivery stork must scramble to fix the error by delivering the baby.
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5 wins & 3 nominations. See more awards »

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Cast

Complete credited cast:
Andy Samberg ... Junior (voice)
Katie Crown ... Tulip (voice)
Kelsey Grammer ... Hunter (voice)
Jennifer Aniston ... Sarah Gardner (voice)
Ty Burrell ... Henry Gardner (voice)
Anton Starkman ... Nate Gardner (voice)
Keegan-Michael Key ... Alpha Wolf (voice)
Jordan Peele ... Beta Wolf (voice)
Danny Trejo ... Jasper (voice)
Stephen Kramer Glickman ... Pigeon Toady / Additional Voices (voice)
Christopher Nicholas Smith ... Dougland (voice) (as Chris Smith)
Awkwafina ... Quail (voice)
Ike Barinholtz ... Miscellaneous Storks (voice)
Jorma Taccone ... Miscellaneous Storks (voice)
Amanda Lund ... Miscellaneous Storks (voice)
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Storyline

Storks deliver babies...or at least they used to. Now they deliver packages for global internet giant Cornerstore.com. Junior, the company's top delivery stork, is about to be promoted when he accidentally activates the Baby Making Machine, producing an adorable and wholly unauthorized baby girl. Desperate to deliver this bundle of trouble before the boss gets wise, Junior and his friend Tulip, the only human on Stork Mountain, race to make their first-ever baby drop - in a wild and revealing journey that could make more than one family whole and restore the storks' true mission in the world. Written by Warner Bros.

Plot Summary | Plot Synopsis

Taglines:

A bundle of trouble is coming. See more »


Motion Picture Rating (MPAA)

Rated PG for mild action and some thematic elements | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official site

Country:

USA

Language:

English

Release Date:

23 September 2016 (USA) See more »

Also Known As:

Cigüeñas: La historia que no te contaron See more »

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Box Office

Budget:

$70,000,000 (estimated)

Opening Weekend USA:

$21,311,407, 25 September 2016, Wide Release

Gross USA:

$72,679,278

Cumulative Worldwide Gross:

$182,379,278
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital | Dolby Atmos | DTS (DTS: X)| Dolby Surround 7.1 | SDDS

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

Keegan Michael Key's second Warner Bros. film after The Lego Movie (2014). See more »

Goofs

After Tulip receives Nate's letter and leaves the room Junior assigns her to, she is caught on the security cameras. When Junior sees Tulips on the security screen while in Hunter's office, Tulip is shown to be crossing the bridge between the Cornerstore building and the baby factory and it is depicted as daylight. However, shortly after Junior leaves Hunter's office, when he is crossing the bridge, it is night. See more »

Quotes

[first lines]
Junior: Storks, since the beginning of time we have been tasked with delivering babies to people. No matter how hard or painful or boring it got, we would never stop delivering babies. Thank goodness we don't have to do that anymore!
See more »

Crazy Credits

Part of the closing credits appears in a montage of baby photos. See more »


Soundtracks

Good Day
Written by Justin Tranter, Robin Fredriksson (as Robin Lennart Fredriksson), Mattias Larsson (as Mattias Per Larsson) and Joe Jonas
Performed by DNCE
Courtesy of Republic Records
Under license from Universal Music Enterprises
See more »

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User Reviews

 
Threadbare. Uneven. Underrated. HYSTERICALLY Funny.
25 March 2017 | by amnesiac12001See all my reviews

I found STORKS in the way that you're supposed to find underrated/cult classics: by accident. When it was released, I bought into the collective sigh of underwhelm that most critics expressed and that was my mistake. It's easy to understand why the critical community didn't like it: in an era where Pixar, Disney and even Dreamworks keep churning out magnificently multi-layered heart-warmers that set the bar stratospherically high, STORKS doesn't register all that well. We've been spoiled by excellence. As a result, we've lost the ability to enjoy the simple pleasures of pure entertainment.

And that's what STORKS delivers better than babies or packages: entertainment.

You might have noticed people commenting on how forced and thin the storyline is and how uneven it feels, and those complaints are accurate. The plot is extremely thin (virtually an extended sitcom-sized premise stretched into an epic road-trip format), and the story moves so quickly that it goes too far too fast with nary any breathing room to savor the experience or give the characters the tension or time to build any real catharsis or change. But the characters are so authentic to themselves that you know just about everything you need to know about them from their first scenes.

I think the main reason STORKS gets such middling reviews in print and here on IMDb is because it's an old-fashioned type of comedy: a screwball-slapstick hybrid. The emphasis on sight gags, pain-humor, and wackiness has generally been avoided in animated films as passe and vulgar--low comedy. The rapid-fire snark between the main characters of Tulip and Junior hearken back to the old Howard Hawks workplace comedies of the 1930s, which is definitely an acquired taste in the post-narrative style of humor found in kids entertainment today--where non-sequiturs and punchlines exist in a vacuum and visual comedy is derived from abstraction rather than plasticity. But the comedic energy and the variety of jokes from modern "Office"-style cringe (Pigeon Toady) to the machine-gun-speed HIS GIRL FRIDAYy-style verbal sparring (Tulip & Junior), absurdism (the wolves), post-modern meta-humor (the boy and his parents) to classical WB slapstick of yesteryear, and the film is riotously funny because of it. At the end of the day, that's what STORKS wants to be: FUNNY.

STORKS is not a great film. It's not a masterpiece like TOY STORY or UP. It won't win any Oscars and it won't be everyone's cup of tea. But there's an excellent chance that it will live on as a multi-generational favorite for the same reasons as dumb-fun-with-a-heart-of-gold treasures like SPACEBALLS, DUMB & DUMBER, THE NAKED GUN, and NATIONAL LAMPOONS CHRISTMASs VACATION:

Because you can watch it 1,000 times and it will NEVER stop being funny.

So try it out. There's a 50-50 chance you'll be among the ones who can't stop watching it.


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