Storks have moved on from delivering babies to packages. But when an order for a baby appears, the best delivery stork must scramble to fix the error by delivering the baby.
Find out why the birds are so angry. When an island populated by happy, flightless birds is visited by mysterious green piggies, it's up to three unlikely outcasts - Red, Chuck and Bomb - to figure out what the pigs are up to.
After Ferdinand, a bull with a big heart, is mistaken for a dangerous beast, he is captured and torn from his home. Determined to return to his family, he rallies a misfit team on the ultimate adventure.
In a city of humanoid animals, a hustling theater impresario's attempt to save his theater with a singing competition becomes grander than he anticipates even as its finalists' find that their lives will never be the same.
Directors:
Garth Jennings,
Christophe Lourdelet
Stars:
Matthew McConaughey,
Reese Witherspoon,
Seth MacFarlane
In Ancient Polynesia, when a terrible curse incurred by the Demigod Maui reaches Moana's island, she answers the Ocean's call to seek out the Demigod to set things right.
When Blu, a domesticated macaw from small-town Minnesota, meets the fiercely independent Jewel, he takes off on an adventure to Rio de Janeiro with the bird of his dreams.
Director:
Carlos Saldanha
Stars:
Jesse Eisenberg,
Anne Hathaway,
George Lopez
Dracula, who operates a high-end resort away from the human world, goes into overprotective mode when a boy discovers the resort and falls for the count's teenaged daughter.
Storks deliver babies...or at least they used to. Now they deliver packages for global internet giant Cornerstore.com. Junior, the company's top delivery stork, is about to be promoted when he accidentally activates the Baby Making Machine, producing an adorable and wholly unauthorized baby girl. Desperate to deliver this bundle of trouble before the boss gets wise, Junior and his friend Tulip, the only human on Stork Mountain, race to make their first-ever baby drop - in a wild and revealing journey that could make more than one family whole and restore the storks' true mission in the world.Written by
Warner Bros.
Kelsey Grammer's fourth animated film where he voices a villain after Runaway Brain (1995) with Dr Frankenollie, Toy Story 2 (1999) with Stinky Pete the Prospector, and Teacher's Pet (2004) with Dr Ivan Krank. See more »
Goofs
Junior's teeth appear and disappear throughout the movie. See more »
Quotes
[first lines]
Junior:
Storks, since the beginning of time we have been tasked with delivering babies to people. No matter how hard or painful or boring it got, we would never stop delivering babies. Thank goodness we don't have to do that anymore!
See more »
I found STORKS in the way that you're supposed to find underrated/cult classics: by accident. When it was released, I bought into the collective sigh of underwhelm that most critics expressed and that was my mistake. It's easy to understand why the critical community didn't like it: in an era where Pixar, Disney and even Dreamworks keep churning out magnificently multi-layered heart-warmers that set the bar stratospherically high, STORKS doesn't register all that well. We've been spoiled by excellence. As a result, we've lost the ability to enjoy the simple pleasures of pure entertainment.
And that's what STORKS delivers better than babies or packages: entertainment.
You might have noticed people commenting on how forced and thin the storyline is and how uneven it feels, and those complaints are accurate. The plot is extremely thin (virtually an extended sitcom-sized premise stretched into an epic road-trip format), and the story moves so quickly that it goes too far too fast with nary any breathing room to savor the experience or give the characters the tension or time to build any real catharsis or change. But the characters are so authentic to themselves that you know just about everything you need to know about them from their first scenes.
I think the main reason STORKS gets such middling reviews in print and here on IMDb is because it's an old-fashioned type of comedy: a screwball-slapstick hybrid. The emphasis on sight gags, pain-humor, and wackiness has generally been avoided in animated films as passe and vulgar--low comedy. The rapid-fire snark between the main characters of Tulip and Junior hearken back to the old Howard Hawks workplace comedies of the 1930s, which is definitely an acquired taste in the post-narrative style of humor found in kids entertainment today--where non-sequiturs and punchlines exist in a vacuum and visual comedy is derived from abstraction rather than plasticity. But the comedic energy and the variety of jokes from modern "Office"-style cringe (Pigeon Toady) to the machine-gun-speed HIS GIRL FRIDAYy-style verbal sparring (Tulip & Junior), absurdism (the wolves), post-modern meta-humor (the boy and his parents) to classical WB slapstick of yesteryear, and the film is riotously funny because of it. At the end of the day, that's what STORKS wants to be: FUNNY.
STORKS is not a great film. It's not a masterpiece like TOY STORY or UP. It won't win any Oscars and it won't be everyone's cup of tea. But there's an excellent chance that it will live on as a multi-generational favorite for the same reasons as dumb-fun-with-a-heart-of-gold treasures like SPACEBALLS, DUMB & DUMBER, THE NAKED GUN, and NATIONAL LAMPOONS CHRISTMASs VACATION:
Because you can watch it 1,000 times and it will NEVER stop being funny.
So try it out. There's a 50-50 chance you'll be among the ones who can't stop watching it.
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I found STORKS in the way that you're supposed to find underrated/cult classics: by accident. When it was released, I bought into the collective sigh of underwhelm that most critics expressed and that was my mistake. It's easy to understand why the critical community didn't like it: in an era where Pixar, Disney and even Dreamworks keep churning out magnificently multi-layered heart-warmers that set the bar stratospherically high, STORKS doesn't register all that well. We've been spoiled by excellence. As a result, we've lost the ability to enjoy the simple pleasures of pure entertainment.
And that's what STORKS delivers better than babies or packages: entertainment.
You might have noticed people commenting on how forced and thin the storyline is and how uneven it feels, and those complaints are accurate. The plot is extremely thin (virtually an extended sitcom-sized premise stretched into an epic road-trip format), and the story moves so quickly that it goes too far too fast with nary any breathing room to savor the experience or give the characters the tension or time to build any real catharsis or change. But the characters are so authentic to themselves that you know just about everything you need to know about them from their first scenes.
I think the main reason STORKS gets such middling reviews in print and here on IMDb is because it's an old-fashioned type of comedy: a screwball-slapstick hybrid. The emphasis on sight gags, pain-humor, and wackiness has generally been avoided in animated films as passe and vulgar--low comedy. The rapid-fire snark between the main characters of Tulip and Junior hearken back to the old Howard Hawks workplace comedies of the 1930s, which is definitely an acquired taste in the post-narrative style of humor found in kids entertainment today--where non-sequiturs and punchlines exist in a vacuum and visual comedy is derived from abstraction rather than plasticity. But the comedic energy and the variety of jokes from modern "Office"-style cringe (Pigeon Toady) to the machine-gun-speed HIS GIRL FRIDAYy-style verbal sparring (Tulip & Junior), absurdism (the wolves), post-modern meta-humor (the boy and his parents) to classical WB slapstick of yesteryear, and the film is riotously funny because of it. At the end of the day, that's what STORKS wants to be: FUNNY.
STORKS is not a great film. It's not a masterpiece like TOY STORY or UP. It won't win any Oscars and it won't be everyone's cup of tea. But there's an excellent chance that it will live on as a multi-generational favorite for the same reasons as dumb-fun-with-a-heart-of-gold treasures like SPACEBALLS, DUMB & DUMBER, THE NAKED GUN, and NATIONAL LAMPOONS CHRISTMASs VACATION:
Because you can watch it 1,000 times and it will NEVER stop being funny.
So try it out. There's a 50-50 chance you'll be among the ones who can't stop watching it.