Set in contemporary Chicago, amid a time of turmoil, four women with nothing in common except a debt left behind by their dead husbands' criminal activities, take fate into their own hands, and conspire to forge a future on their own terms.
In early 18th century England, a frail Queen Anne occupies the throne and her close friend, Lady Sarah, governs the country in her stead. When a new servant, Abigail, arrives, her charm endears her to Sarah.
Early 1970s. Four strangers check in at the El Royale Hotel. The hotel is deserted, staffed by a single desk clerk. Some of the new guests' reasons for being there are less than innocent and some are not who they appear to be.
The story of Dick Cheney, an unassuming bureaucratic Washington insider, who quietly wielded immense power as Vice President to George W. Bush, reshaping the country and the globe in ways that we still feel today.
Lee Israel (Melissa McCarthy) made her living in the 1970s and '80s profiling the likes of Katharine Hepburn, Tallulah Bankhead, Estee Lauder and journalist Dorothy Kilgallen. When Lee is no longer able to get published because she has fallen out of step with current tastes, she turns her art form to deception, abetted by her loyal friend Jack (Richard E. Grant). An adaptation of the memoir "Can You Ever Forgive Me?" relays the true story of the best-selling celebrity biographer (and friend to cats).Written by
Fox Searchlight Pictures
Richard E. Grant was recording an interview with Terry Gross for her National Public Radio program "Fresh Air" when Gross was the one who informed his that he had just been nominated for a SAG Award: "GROSS: I want to take a short break here and then talk with you some more. So if you're just joining us, my guest is Richard E. Grant. And he stars with Melissa McCarthy in the film Can You Ever Forgive Me? He won the New York Film Critics Circle Award for it, the San Diego Film Critics Society. Now he's nominated for a Golden Globe, an Independent Spirit Award and others as well. Oh, you just got nominated for a SAG. My producer just told me you're nominated for a SAG Award. GRANT: Wow. Wow. That's amazing. GROSS: Did you not know that? GRANT: No, how would I know that? GROSS: Oh, congratulations! GRANT: I've been talking to you. Sorry, I'm talking to you, so I had no idea. Goodness me. Thank you. GROSS: Oh, I'm sorry. I'm taking you away from the big news. Do you want to check your phone for a second and see? GRANT: I'm sure my daughter might have texted me. Can I just... GROSS: Sure. (Laughter) Take a break. GRANT: Let's have a look. Oh, wow, and Melissa has got one too. That's fantastic. Wow. God, I'm absolutely thrilled. Goodness me. There's nothing like the approbation of your own peers. GROSS: No, no. I know. I know. GRANT: Wow. You've got me at a emotional moment here. I never thought this would happen to me. Thank you. GROSS: Now that we've heard that good news, we're going to take the real break (laughter). And after we take a short break, I'll be back with Richard E. Grant. This is FRESH AIR." See more »
Rolled thermal fax paper would have been used for the fax machines, not plain paper as represented in the time period of the movie. Plain paper fax machines did not come into use until much later. See more »
I have figured out a way to pay my bills, without shoveling shit, and it is a good feeling.
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Closing credits appear onscreen as if typewritten. See more »
Ahead of the film's release in Australia, the distributor chose to pre-cut the film in order to obtain an M classification. These changes removed detail of hard drug misuse (cocaine snorting) through re-framing, and also removed the film's sole use of very strong language by re-dubbing the term with a milder phrase. The uncut international version was later approved for a DVD/Video release with an uncut MA15+ classification. See more »
This is a very different story as it for once gives a true life crime story of someone falling into crime to pay the bills and seeing if from their angle without dressing it up or looking for empathy and sympathy for the perpetrator. It is not embellished too much to make it overly dramatic as Hollywood too often does, which I think makes the film, it is a quite ordinary but great tale.
Mellisa McCarthy and Richard E Grant are both superb in their roles. McCarthy makes you believe the character was written just for her and Grant plays an excellent British eccentric, again a role that you almost feel no one else could have played.
One of the best films of 2019 so far for me.
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