After the first manned mission to Mars ends in a deadly crash, mission controller Mackenzie 'Mack' Wilson (Sackhoff) assists an artificial intelligence system, A.R.T.I. Their investigation uncovers a mysterious object under the surface of...
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Director:
Writers:
Stars:
Photos and Videos
Cast
| Katee Sackhoff | ... |
Mackenzie 'Mack' Wilson
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| Ray Fearon | ... |
Sterling Brooks
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| Julie Cox | ... |
Lena Wilson
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| Steven Cree | ... |
ARTi (voice)
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| David K.S. Tse | ... |
Jian Lin (voice)
(as David Tse)
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Neil Robertson | ... |
SWAT Team Soldier 1
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Matthew Holloway | ... |
SWAT Team Soldier 2
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Philip Baughan | ... |
SWAT Team Soldier 3
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Archie Gemell | ... |
SWAT Team Soldier 4
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Andrew Robertson | ... |
SWAT Team Soldier 5
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Graeme Atkinson | ... |
SWAT Team Soldier 6
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| Jud Charlton | ... |
ARTi stand-in (voice)
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Katie Green | ... |
Katie Sackoff stand-in / double
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Bruce Chong | ... |
Jian photo stand-in
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| Noush Skaugen | ... |
Jill Valentine (voice)
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| Joe David Walters | ... |
Jake Wilson / Mission Control (voice)
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Directed by
| Hasraf Dulull | ... | (as Hasraf 'Haz' Dulull) |
Written by
| Hasraf Dulull | ... | (based on a story by) |
| Austen Atkinson | ... | (additional dialouge by) |
| Gary Hall | ... | (screenplay by) |
Produced by
| Jamie Carmichael | ... | executive producer |
| Tom Clark | ... | executive producer |
| Paula Crickard | ... | associate producer |
| Hasraf Dulull | ... | co-producer (as Hasraf 'HaZ' Dulull) |
| Scott Glassgold | ... | executive producer |
| Tom Harberd | ... | associate producer |
| Phil Hunt | ... | executive producer |
| Susan Morrall | ... | executive producer |
| Eduardo Panizzo | ... | executive producer |
| Compton Ross | ... | executive producer |
| James T. Ryan | ... | line producer / producer (produced by) (as James T Ryan) |
| Terence Ryan | ... | executive producer |
| David Sheldon-Hicks | ... | executive producer |
| Anis Shlewet | ... | producer (produced by) |
| Ken Tuohy | ... | co-producer |
Music by
| Michael Stevens | ||
Cinematography by
| Adam Sculthorp | ||
Editing by
| Jeremy Gibbs | ||
Editorial Department
| Tommy Boulding | ... | additional editing |
| Maria Chamberlain | ... | digital intermediate colourist |
| Georgina Cranmer | ... | digital intermediate assistant |
| Karolina Dziwinska | ... | digital intermediate producer |
| Rob Farris | ... | digital intermediate head of production |
| Simon Harris | ... | assistant editor |
| Lawrence Hook | ... | digital intermediate assistant |
| Alexander Phillips | ... | digital film bureau |
| Finlay Reid | ... | digital intermediate assistant |
| Will Steer | ... | assistant editor / on-line editor |
| Abdi Yazdi | ... | post-production script services |
Casting By
| Jeremy Zimmermann | ||
Production Design by
| Jon Bunker | ||
Art Direction by
| Lenka Dobranska | ||
| Jack Hawthorn | ||
Makeup Department
| Faith Johnston | ... | Hair and Makeup Supervisor / makeup supervisor |
| Beth Long | ... | assistant makeup artist |
| Bethany Long | ... | assistant makeup artist |
| Erika Ökvist | ... | hair designer / makeup designer |
Production Management
| Paula Crickard | ... | post-production supervisor |
| Mark Layton | ... | production supervisor |
Second Unit Director or Assistant Director
| James R. Kipping | ... | first assistant director |
Art Department
| Lucy Abbott | ... | stand-by art department |
| David Arroyo | ... | storyboard artist |
| Dianah Jane Coleman | ... | production buyer / set dresser |
| Hasraf Dulull | ... | previs artist (as Hasraf 'Haz' Dulull) |
| Michael Mulligan | ... | construction manager |
| Wes Nike | ... | concept artist |
| Niina Topp | ... | art assistant |
| Thea Von-Mantripp | ... | art assistant |
| Vito Walker | ... | art assistant |
| Jessica Wretlind | ... | stand-by art department |
Sound Department
| Clive Copland | ... | sound recordist |
| Matt Ingram | ... | foley editor (as Matthew Ingram) |
| Richard Lewis | ... | sound designer |
| Rachel Park | ... | sound mix technician |
| Steven Parker | ... | sound designer |
| Rob Price | ... | foley mixer |
| Robbie Scott | ... | sound mix technician |
| Gavin Winterborn | ... | foley editor |
Special Effects by
| Nick Kool | ... | special effects technician |
| Mike Tucker | ... | special effects supervisor |
Visual Effects by
| Stefan Beekhuijzen | ... | visual effects coordinator: Filmmore |
| Joseph Buchanan | ... | motion graphics |
| Roman Bugrov | ... | compositor: Territory Studio |
| Ryan J. Close | ... | cg artist: Territory Studio |
| Hasraf Dulull | ... | visual effects supervisor |
| Paddy Eason | ... | visual effects supervisor: Territory Studio |
| Katie Goodwin | ... | vfx editor: Territory Studio |
| Tizzy Gregory | ... | on-set coordinator |
| Hussin Khan | ... | digital compositor |
| Nick Kool | ... | senior visual effects technician: The Model Unit |
| Camille Marjoux | ... | visual effects artist: Filmmore |
| Alan Marshall | ... | senior visual effects technician: The Model Unit |
| Christopher Lucas Maw | ... | digital compositor |
| Sam Munnings | ... | Vfx concept: Territory Studio |
| Ricardo Musch | ... | vfx editorial: Territory Studio |
| Ashley Pay | ... | cg animation: Territory Studio |
| Caroline Pires | ... | lead compositor / visual effects supervisor: Territory Studio |
| Andrew Popplestone | ... | main title design & credits: Territory Studio |
| Alex Reinach | ... | visual effect associate producer: Territory Studio |
| Riess Shafique | ... | compositor: Territory Studio / visual effects artist |
| David Sheldon-Hicks | ... | visual effects: Territory Studio |
| Matthijs Slijkhuis | ... | visual effects artist: Filmmore |
| Will Steer | ... | visual effects editor |
| Andrea Tedeschi | ... | visual effects artist |
| Mike Tucker | ... | miniature effects supervisor |
| Aleksandr Uusmees | ... | fx technical director |
| Hans van Helden | ... | visual effects supervisor: Filmmore |
| Joy Whilby | ... | visual effects producer: Territory Studio |
Camera and Electrical Department
| Jacob Barrie | ... | first assistant camera: a camera |
| Adam K. Batchelor | ... | camera operator: third unit (as Adam Batchelor) |
| Nick Crew | ... | first assistant camera: b camera |
| Pat Daily | ... | rigger |
| Deane De-Beger | ... | camera technician: second unit |
| Hugh Donnelly | ... | lighting technician |
| Gareth Harfoot | ... | camera operator: a camera |
| Llewellyn Harrison | ... | grip: dailies (as Llewllyn Harrison) |
| Andrew Jones | ... | second assistant camera: daily |
| Paul Kemp | ... | grip: dailies |
| John Kolthammer | ... | grip: dailies |
| Glenn Lightbody | ... | camera technician: second unit |
| Peter Muncey | ... | key grip: a camera |
| Matt Newton | ... | grip trainee |
| David Penfold | ... | first assistant camera: daily |
| Rachel Racket Wood | ... | data wrangler: second unit |
| Graham Smout | ... | second assistant camera: a camera |
| Michael Spry | ... | gaffer |
| Alex Taylor | ... | first assistant camera: daily |
| Alexander Liam Taylor | ... | first assistant camera |
| Sam Taylor | ... | camera trainee |
| Derek Gilbert Zacho | ... | digital imaging technician (as Derek Zacho) |
| Matthew Newton | ... | trainee grip (uncredited) |
Casting Department
| Irene Ilias | ... | casting associate |
Music Department
| Richard Lewis | ... | music editor |
| Renzo Mantovani | ... | composer: additional music |
| Sébastien Rostagno | ... | conductor / orchestrator |
Script and Continuity Department
| Austen Atkinson | ... | script consultant |
| Hannah Kenneally-Muir | ... | script supervisor |
Additional Crew
| Simon Aldington | ... | production assistant |
| Sara Bonakdar | ... | For Head Gear Films |
| Andy Buckland | ... | camera consultant |
| Natalie Coleman | ... | For Head Gear Films |
| Ruth Gibbs | ... | unit nurse |
| Sam Higham | ... | cinematography equipment account manager |
| Stephen Naulls | ... | production accountant |
| Daniel Negret | ... | For Head Gear Films |
| Martin Poultney | ... | commercial director: Goldcrest Post Production |
| Bridie Sinden | ... | production coordinator |
| Marlon Vogelgesang | ... | For Head Gear Films |
| Dean Wares | ... | end titles designer |
Thanks
| Andrew Boswell | ... | special thanks |
| Joey Cottle | ... | special thanks: London Atlantic |
| Eleanor Dearing | ... | special thanks |
| Charlie Feemantle | ... | special thanks |
| Chris Fysh | ... | special thanks (as Chris 'Kiki' Fysh) |
| Sam Higham | ... | special thanks |
| Paul Hillier | ... | special thanks |
| Ben Holland | ... | special thanks |
| Patrick Kennedy | ... | special thanks |
| Alan Latham | ... | special thanks |
| Mark Pyman | ... | special thanks |
| Kit Ryan | ... | the producers wish to thank |
| Bassam Shlewet | ... | special thanks |
| Adam Ziff | ... | special thanks |
Production Companies
- Parkgate Entertainment
- Origin Unknown Films
- Head Gear Films (In association with)
- Metrol Technology (In association with)
Distributors
- ACE Entertainment (2017) (France)
- Atrium Productions (2018) (South Korea)
- Eagle (2018) (Australia)
- Eagle (2018) (New Zealand)
- Gravitas Ventures (2018) (United States)
- H.G.C. Entertainment (2018) (China)
- Kino Swiat (2018) (Poland)
- Mongrel Media (2018) (Canada)
- New Select K.K. (2018) (Japan)
- New Select K.K. (2019) (Japan) (DVD)
- PVR Pictures (2018) (Afghanistan)
- PVR Pictures (2018) (Bangladesh)
- PVR Pictures (2018) (Bhutan)
- PVR Pictures (2018) (India)
- PVR Pictures (2018) (Maldives)
- PVR Pictures (2018) (Nepal)
- PVR Pictures (2018) (Pakistan)
- PVR Pictures (2018) (Sri Lanka)
- SC Movies (2022) (Australia) (video)
- Selim Ramia & Sons (2017) (Lebanon) (Middle East)
- Splendid Film (2017) (Belgium)
- Splendid Film (2017) (Germany)
- Splendid Film (2017) (Luxembourg)
- Splendid Film (2017) (Netherlands)
- Splendid Film (2017) (Switzerland)
- WOWOW Cinema (2019) (Japan) (tv)
Special Effects
- Filmmore (visual effects)
- Territory Studio
Other Companies
- Dan Films (special thanks)
- Digital Orchard (Digital Imaging Services)
- Freeway CAM B.V. (collection account management)
- Goldcrest Post Production London (post-production)
- HaZ VFX (Visual Effects)
- MediVisas (special thanks)
- Pindrop (sound post-production)
- West London Film Studios (studio)
Storyline
| Plot Summary |
After the first manned mission to Mars ends in a deadly crash, mission controller Mackenzie 'Mack' Wilson (Sackhoff) assists an artificial intelligence system, A.R.T.I. Their investigation uncovers a mysterious object under the surface of Mars that could change the future of our planet as we know it. Written by boboTheDinosaur |
| Plot Keywords | |
| Taglines | Humankind is about to Learn Its Place. See more » |
| Genres | |
| Parents Guide | View content advisory » |
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Additional Details
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Did You Know?
| Trivia | The AI's big eyeball is the same one used in Riddick See more » |
| Goofs | At the beginning of the movie, when 'Martian 1' is approaching Mars, they are talking with Earth and getting responses in REAL-TIME ... several years BEFORE the Hyperlight Communication system was invented. The SHORTEST communication time with Mars is a bit over 3 minutes each way (give or take) at its' closest approach, and up to 40 minutes at its' farthest (when we couldn't communicate anyway as the Sun would directly between us). This is time compression. Everybody is aware of the time gap but few people would sit still for a movie with ten or so minutes between queries and responses. See more » |
| Movie Connections | References Star Wars: Episode IV - A New Hope (1977). See more » |
| Quotes |
Mackenzie 'Mack' Wilson:
You may not be able to override, but I can... I got hands. See more » |