Patriots Day

The day is 15 April 2013; the place is Boston; the occasion is the annual marathon. As we all know, two radicalised Chechen immigrants, Dzhokhar (Alex Wolff) and Tamerlan Tsarnaev (Themo Melikidze), set off two bombs which killed three people and injured several hundred others, including 16 who lost limbs.

This film is a very workmanlike and respectful, almost documentary-style, account of the eve of the event, the bombing itself, and tracking down of the assailants in a tense five-day manhunt. Mark Wahlberg, reuniting with the director for the third film in a row, is Boston detective Tommy Saunders, a composite of several real people, while Kevin Bacon plays FBI Special Agent Richard DesLauriers.

For writer and director Peter Berg, following "Lone Survivor" and "Deep Water Horizon", "Patriots Day" can be seen as the third part of his unofficial Americans-in-crisis trilogy which probably play better for US audiences than overseas, but manage to combine information with entertainment.

This time round, the viewer cannot fail to be struck by the complexity and sophistication of modern-day surveillance and forensic technologies. If only these technologies could prevent terrorist incidents (without too much of a sacrifice of our privacy and freedoms) as well as find those who have just committed such an atrocity.

PPs (police procedurals) are a staple of the film/TV industry and are (believe it or not) as common as comedies or romcoms. However, within that category, "big" PPs based on big crimes are not that common. In fact, you would have to go back to the early 70s when a number of "big PPs" like Day of the Jackal 1973 were all the rage.

So, a film like this done properly (and, trust me, this one is done perfectly) would be a treat all by itself. However, what makes this film extra-special is the extensive use of video footage.

Now, to be clear, video footage as a plot device is not new by itself. It is now, and has been used extensively in British film and TV because, as we all know, London is the most "surveyed" city on the planet.

But -- the point -- nothing the Brits have ever done with the forensic use of video comes even close to what Berg brings us in this excellent film. Much the same way that the original creators of CSI-Vegas introduced an entirely new sort of sub-genre, it can be argued that Patriots Day similarly has taken the police procedural to an entirely new level.

The film itself? Brilliant! Berg has taken a stellar group of A-listers and make them work as a team, mirroring on the subliminal level the theme of the movie, which is both positive, and hopeful, and suggests that if we all work together, we can accomplish pretty much anything.

I saw this movie at a preview showing and was very pleasantly surprised.

The movie is great, the cast are uniformly excellent, and the plot moves along really nicely. I was mesmerized throughout, the pacing was excellent and, even though we all remember the outcome from the extensive news coverage, I was surprised at some of the things that happened before the end.

It was surprisingly moving at a few points, sorry, no spoilers so I won't say any more.

Great job to everyone who worked on this movie.

Various people's lives cross path in the 2013 Boston Marathon bombing and its following manhunt. It is directed by Peter Berg and starring Boston native Mark Wahlberg.

Originally, I feared Mark Wahlberg. He's not the greatest of actors although my bigger fear is that they would make the movie about him. That partly happened. Honestly, I cringed when he started yelling at Kevin Bacon and I rolled my eyes when he showed up to interview the Chinese guy. By placing him in the center of every aspect of the investigation, the movie loses a sense of reality. There is no need for him to be at every aspect of the manhunt. I do love the walk-thru with the security cameras. Otherwise, his role should be cut in half. This shouldn't be a vehicle for Mark.

On the other hand, I am overjoyed with the other people's stories. I love the Chinese guy and MIT security guy. This could cut back Wahlberg mugging for the cameras and add work from the other cops. Give me more J.K. Simmons. This movie should not be an one-man story if it purports to show the events in its entirety.

While there are predictable social media conspiracy theories that the "whole thing was a hoax", the two bombs that went off near the finish line of the Boston marathon on April 15th 2013 killed three members of the public and injured more than 250 others. It was a life- changing event for those people and their immediate families, but sadly nothing more than a small footnote in the global story of car bombs and suicide missions that have killed and maimed thousands and thousands of people in war-stricken countries around the world in recent years. It's a point not lost on the scriptwriters of "Patriot's Day", the new film by Peter Berg ("Deepwater Horizon"). In an America where press freedom seems to be under increasing threat, the film refreshingly provides room for reflecting the antagonists' views, twisted and barking as they may be, and the film is better for that.

Mark Wahlberg ("Deepwater Horizon", "Ted") plays senior Boston homicide cop Tommy Saunders. He's on menial duties after a past indiscretion, but has just one last day stewarding the finish line of the Boston marathon before being allowed off the 'naughty step' by his boss, Commissioner Ed Davis (John Goodson). Saunders is seen off to work by his wife (Michelle Monaghan, Mrs. Hunt from the Mission Impossible films) but his dull day's work is not going to go as planned thanks to the fanatical Tamerlan Tsarnaev (Themo Melikidze) and his compliant but bullied brother Dzhokhar (Alex Wolff). The pair plant the bombs along Boylston Street, wreaking havoc on American soil, and a massive man-hunt ensues that will see other lives impacted irrevocably before it's over.

The storytelling is reminiscent of 70's films like "Airport" and "The Towering Inferno" in introducing us to a wide range of characters at the start of the film, without knowing how they will later be placed into the jigsaw. Examples are Sergeant Jeffrey Pugliese (J.K. Simmons, "Whiplash", "La La Land") of the Watertown police department who gets unexpectedly drawn into the action when chaos descends on his sleepy Boston neighborhood, and Chinese student Dun Meng (Jimmy O. Yang in a film debut) who has an unbelievable story of first-hand contact with the bombers.

Leading the FBI investigation is Richard DesLauriers (the prolific Kevin Bacon). Unfortunately I always muddle up Bacon with Wahlberg (it must be something about the facial features) so it's not helpful having them in the same film!

Even though I knew (albeit vaguely) all of the details of the bombing and the subsequent events, the film successfully made me feel tense throughout. Some of the set-piece action sequences – particularly the showdown in Watertown – are particularly well done. Given the number of rounds of ammo let off and the home-made grenades being lobbed, it is astounding that dozens of officers were not killed. The film is highly respectful towards the victims of the atrocity, with one of the most moving moments of the film being a silent vigil over one of the victims by a State Trooper (Billy Donahue).

Wahlberg in particular gives a great performance, with his emotional post-traumatic breakdown scene with Monaghan being his best acting performance in years. However, it is Wahlberg's character that is my major problem with the film. Unlike most of the other characters, who are based on their real-life counterparts, Tommy Saunders is a fictional composite of multiple real-life police officers, and his involvement in each and every part of the drama strained credibility to breaking point for me. It would have been far more effective, in my view, to stick nearer to reality and have a range of other cameos step into those roles.

There is a tendency (for this British viewer at least) for the film to overreach with its stirring patriotic message in the closing scenes, and there was the predictable trotting out of the 'real life' photos and videos in the finale, albeit that some of these are movingly portrayed. Apart from those reservations, this is a solidly well-made piece of docufiction that is enjoyable throughout.

Just a warning to sensitive viewers that there are obviously some scenes of bodily injury included: if grading on as scale where "Hacksaw Ridge" is a 10 and "Saving Private Ryan" an 8, then "Patriot's Day" would rate about a 7.

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