In May 1940, the fate of Western Europe hangs on British Prime Minister Winston Churchill, who must decide whether to negotiate with Adolf Hitler, or fight on knowing that it could mean a humiliating defeat for Britain and its empire.
During World War II, as Adolf Hitler's awesomely powerful Wehrmacht rampages across Europe, the Prime Minister of the United Kingdom, Neville Chamberlain, is forced to resign, recommending Winston Churchill as his replacement. But even in his early days as the country's leader, Churchill is under pressure to commence peace negotiations with the German dictator or to fight head-on the seemingly invincible Nazi regime, whatever the cost. However difficult and dangerous his decision may be, Churchill has no choice but to shine in the country's darkest hour. Written by
In May 1940 Churchill refused to reappoint Leslie Hore-Belisha, who had been fired following the Pillbox affair. Anti-Semitism in the UK was so severe at the time that the Jewish Hore-Belisha could not be appointed as Minister of Information. Two years after the war there were massive anti-Semitic riots throughout the UK in August 1947. See more »
Chamberlain tells Halifax in May 1940 that he has cancer. Chamberlain was in pain at this time, but doctors didn't discover the cause until June and then withheld this from Chamberlain. See more »
Disclaimer in closing credits: "The depictions of tobacco smoking contained in this film are based solely on artistic consideration and are not intended to promote tobacco consumption. The Surgeon General has determined that there are serious health risks associated with smoking and with secondhand smoke." See more »
It's a one man show about one of the towering figures of the 20th Century and what a show it is. Gary Oldman has been able to be Sid Vicious in "Sid And Nancy" with the same outstanding commitment and extraordinary results. Joe Wright, the gifted director of "Atonement" presents us with an irresistible version of Churchill through the magic powers of Oldman but sometimes he doesn't seem to trust the power of what he has in his hand. Eccentric cuts in the middle of a famous speech for instance and other stylistic distractions arrive with irritating frequency but that doesn't spoil. too much, the joy and fun of seeing Gary Olman in action. Also interesting to notice, Dunkirk provides a very moving moment for the second time this year.
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