In May 1940, the fate of Western Europe hangs on British Prime Minister Winston Churchill, who must decide whether to negotiate with Adolf Hitler, or fight on knowing that it could mean a humiliating defeat for Britain and its empire.
During the Cold War, an American lawyer is recruited to defend an arrested Soviet spy in court, and then help the CIA facilitate an exchange of the spy for the Soviet captured American U2 spy plane pilot, Francis Gary Powers.
During World War II, as Adolf Hitler's awesomely powerful Wehrmacht rampages across Europe, the Prime Minister of the United Kingdom, Neville Chamberlain, is forced to resign, recommending Winston Churchill as his replacement. But even in his early days as the country's leader, Churchill is under pressure to commence peace negotiations with the German dictator or to fight head-on the seemingly invincible Nazi regime, whatever the cost. However difficult and dangerous his decision may be, Churchill has no choice but to shine in the country's darkest hour.Written by
Extensive makeup was used to transform Gary Oldman into Winston Churchill, but to call this "aging" makeup would not be entirely accurate. In May 1940, Churchill was 65 years and six months old. Oldman turned 59 during filming. See more »
Winston Churchill's "never surrender" speech was given to Parliament on June 4, 1940, after the Dunkirk evacuation. The film has it given at the end of May 1940. See more »
Those who never change their mind never change anything.
What just happened?
He mobilized the English language and sent it into battle.
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At the end of the credits, Big Ben strikes 2 o'clock. See more »
It's a one man show about one of the towering figures of the 20th Century and what a show it is. Gary Oldman has been able to be Sid Vicious in "Sid And Nancy" with the same outstanding commitment and extraordinary results. Joe Wright, the gifted director of "Atonement" presents us with an irresistible version of Churchill through the magic powers of Oldman but sometimes he doesn't seem to trust the power of what he has in his hand. Eccentric cuts in the middle of a famous speech for instance and other stylistic distractions arrive with irritating frequency but that doesn't spoil. too much, the joy and fun of seeing Gary Olman in action. Also interesting to notice, Dunkirk provides a very moving moment for the second time this year.
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